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A work made of colored fiber-tipped pens on white wove paper, cut, torn, and laid down on tan wove paper.

Untitled (Analogy Series), 1974

Ray Yoshida

A work made of color screenprint, heightened with colored crayons, on cream wove paper.

The Garden Island, c. 1960

Ray Yoshida

A work made of color aquatint and drypoint on buff laid paper.

The Fitting, 1890–91

Mary Cassatt

A work made of color aquatint and drypoint on off-white wove paper.

The Fitting, 1890–91

Mary Cassatt

A work made of color drypoint and aquatint, with additions in yellow, on white laid paper.

Peasant Mother and Child, c. 1894

Mary Cassatt

A work made of pastel on paper.

Susan in a Straw Bonnet, c. 1883

Mary Cassatt

Pastel drawing of a mother in a pink dress fixing her daughter's white, blue-ribboned hat. They look at each other, and the daughter, who wears an orange dress, touches the mother's right arm with her left hand.

Mother and Little Girl, 1902

Mary Cassatt

A work made of wool, spanish knots on plain weave ground.

Carpet, 1450-1500

A warm-toned watercolor painting of a crowd in a medical waiting room. On the left, brown-skinned figures wait in a line that extends into the background toward the right. Other brown-skinned figures sit on a bench in the foreground. The figures are represented in a variety of ways that indicate physical injury—some have crutches and others wear white bandages. Scientific and medical instruments are painted on the walls.

Free Clinic, 1937

Jacob Lawrence

Print in thick black lines of two women, pictured from the shoulders up, in front of three apartment buildings. The woman on the left wears a headwrap. She looks directly at the viewer with eyebrows raised and mouth slightly frowning. The woman on the right is in profile, looking at the other woman.

Special Houses, from The Black Woman (formerly The Negro Woman) (published 1946-47), 1946, printed 1989

Elizabeth Catlett

A work made of linocut on cream wove paper.

In Other Folk's Homes, from The Black Woman (formerly The Negro Woman) (published 1946-47), 1946, printed 1989

Elizabeth Catlett

A work made of lithograph in black on cream wove paper.

We Have Been Believers, 1949

Charles White

A work made of linocut on gray laid paper.

La Presa, 1952

Elizabeth Catlett

Print in black ink of of a black male sprawled on his back with eyes open, a noose around his neck. The feet of several other men are visible near him at the top of the print.

And a Special Fear for My Loved Ones, from The Black Woman [formerly The Negro Woman] (published 1946-47), 1947, printed 1989

Elizabeth Catlett

A work made of color offset lithograph on white wove paper.

United States of Attica, 1972

Faith Ringgold

A work made of woodcut in brown and black on white wove paper.

Untitled (Man), 2017

Kerry James Marshall

A work made of soft ground and aquatint in black on cream laid paper.

At the Dressing Table, c. 1880

Mary Cassatt

A work made of pastel on blue-gray wove paper (faded to tan), mounted on board.

Sleepy Nicolle, c. 1900

Mary Cassatt

A work made of soft ground etching in brown ink on cream laid paper.

Lady in Black, in a Loge, Facing Right, c. 1881

Mary Cassatt

A work made of soft ground etching in black-brown ink on blued white laid paper.

On the Balcony, c. 1889

Mary Cassatt

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