Curator

  • Art Institute Chicago
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A work made of gelatin silver print.

Hand, 1931

Lee Miller

A work made of oil on board.

Percolator, 1917

Man Ray (Emmanuel Radnitzky)

A work made of gelatin silver print.

Ironwork, 1931

Lee Miller

A work made of gelatin silver print.

Sculpture in Window, Paris, 1930

Lee Miller

A work made of gelatin silver print.

Nude Bent Forward, Paris, c. 1930

Lee Miller

A work made of gelatin silver print.

Untitled, c. 1930

Lee Miller

A work made of gelatin silver print.

Woman with Hand on Head, Paris, 1931

Lee Miller

A work made of forged steel.

Around the Void II (Alrededor del vacio II), 1965

Eduardo Chillida

A work made of oil on canvas.

Christa and Wolfi, 1964

Gerhard Richter

A work made of opaque and transparent watercolor on cream wove paper.

Grove of Trees, 1888/90

Pierre-Auguste Renoir

A tall, wooden sculpture that leans against the gallery wall. A hollow box at the top is supported by two wooden branches that connect to a wheel at the bottom. The rough tree branches contrast with the refined wood of the box.

Sanctuary, 1982

Martin Puryear

A work made of black conté crayon over pen and brush and black ink on ivory laid paper (discolored to cream).

On the Terrace of a Hotel in Bordighera: The Painter Jean Martin Reviews His Bill (Illustration for Edmond Renoir’s “L’étiquette”), 1881

Pierre-Auguste Renoir

A work made of etching and engraving on ivory laid paper.

The Medici Vase, plate one from The Six Large Views of Rome and the Campagna, 1656

Stefano della Bella

A work made of woodblock print.

Eggplant with fruit and flowers, 1829

Ônishi Chinnen

A work made of acrylic on canvas.

Screamin' Jay Hawkins, 1968

Karl Wirsum

A work made of airbrush and brush and gouache on tan wood-pulp laminate board.

The Eye That Sees Everything, 1919

Man Ray (Emmanuel Radnitzky)

A work made of steel.

Burgonet, c. 1570/80

A work made of iron, silver, fruitwood, staghorn, and mother-of-pearl.

Wheellock Rifle, first half of 17th century

A work made of steel.

Gauntlet for the Right Hand, c. 1570/90

A work made of black chalk (recto and verso) on ivory laid paper (discolored to tan).

The Descent from the Summit: Jean Martin Steadies Hélène, the Banker’s Daughter (Illustration for Edmond Renoir’s “L’étiquette”) (recto); Half-Length Sketch of a Woman (verso), 1881

Pierre-Auguste Renoir

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