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A work made of one-quarter vellum binding, sides covered with white paper speckled with stamped blue stars; author and title stamped in gold on spine; original paper covers bound in.

Antigone: Les mariés de la Tour Eiffel, Published 1928; rebound 1930-1950

Mary Reynolds

A work made of fifteen color lithographs bound into a portfolio.

Quinze variations sur un même thème (Fifteen Variations on a Theme), Paris: Éditions des chroniques du jour, 1938

Max Bill

A work made of quarter vellum binding with white paper sides repeatedly stamped with an uppercase m in red and black; plain ivory endpapers; author and title stamped in gold on spine; original paper covers bound in.

La machine à écrire: pièce en trois actes (The Typewriter: A Play in Three Acts), Published 1941; rebound 1941-1942

Mary Reynolds

A work made of one-quarter vellum binding; sides covered with gold-starred paper.

La fin du Potomak, Published 1940; rebound 1940-1950

Mary Reynolds

A work made of full vellum with gold stamping on black-calfskin label; wine-colored, glazed-paper endpapers; inscription and drawing by cocteau.

Dessins (Drawings), Published 1924; rebound 1930-1942

Mary Reynolds

A work made of quarter vellum binding with cockerell marbled paper; marbled endpapers; original paper covers bound in; inscription and drawing in graphite on half-title by cocteau.

Les parents terribles: Pièce en trois actes (The Terrible Parents: A play in three acts), Published 1938; rebound 1938-1942

Mary Reynolds

A work made of quarter vellum with gold stamping; paper-map sides and endpapers; original paper covers bound in.

Mon premier voyage: Tour du monde en 80 jours (My first voyage: Around the world in 80 days), Published 1936; rebound 1936-1942

Mary Reynolds

A work made of full goatskin with calfskin inlays; diagonal false bands on spine with gold stamping; black endpapers and black-painted top edge.

Le vrai visage du Marquis de Sade (The True Face of the Marquis de Sade), Published 1939; rebound 1939-1950

Mary Reynolds

A work made of one-half brown nigerian goat skin, marbled paper end leaves; three protruding panels with title in gold tooling on spine; original paper covers bound in.

Êtes-vous fous?, Published 1929; rebound 1930-1950

Mary Reynolds

A work made of quarter binding in vellum, sides and end papers covered with paper printed with a black and white design in pochoir with paper; author and title stamped in gold on spine; original paper covers bound in.

La voix humaine: pièce en un acte, Published 1930; rebound 1930-1950

Mary Reynolds

A work made of quarter vellum with blue-paper sides and endpapers decorated with gold stars.

Thomas l'imposteur: histoire (Thomas the impostor: History), Published 1923; rebound 1930-1950

Mary Reynolds

A work made of half black morocco binding with paper; title stamped in gold on spine; top edge gilt; decorated endpapers; original paper covers bound in.

La Révolution surréaliste, Published 1924; rebound 1930-1950

Mary Reynolds

A work made of full black calfskin with raised bands and gold stamping; agate-marbled laid paper endpapers.

Les Derniers jours: Roman (The Last Days: Novel), Published 1936; rebound 1936-1950

Mary Reynolds

A work made of one-half snake skin with sides and end leaves covered with dark blue paper with jean crotti's name and silver paper panel; partial tinfoil lining of inside front cover; original paper covers bound in.

Jean Crotti, Published 1930; rebound 1930-1950

Mary Reynolds

A work made of full blue morocco binding; raised bands; author and title stamped in gold on spine; doublures; top edge gilt; maps used as endpapers; original paper covers bound in; slipcase covered with maps; leather borders; lined with cloth.

Ulysses, Published 1922; rebound 1930-1950

Mary Reynolds

A work made of book with mixed media relief sculpture on cover with five lithographs in color, twelve lithographs in black, four etchings in black, one etching in color, and two woodcuts in black on ivory wove paper.

Le Surréalisme en 1947, Paris: Pierre à Feu; Maeght, 1947

André Breton

A work made of unbound book in a cardboard slip case; intaglio prints by various artists.

Du cubisme, Paris: Compagnie Française des Arts Graphiques, 1947

Albert Gleizes

A work made of issued in portfolio; lithograph in green and black.

Poésie et vérité, Paris: Librairie "Les Nourritures terrestres", 1947

Oscar Domínguez

A work made of two large sheets (wrapper printed in red on cream stock and insert printed on glossy white), folded twice, cover design featuring belle haleine by duchamp; on the insert, several halftone printed photographs and illustrations in blue.

New York Dada, April 1921

Marcel Duchamp

A work made of illustrated book with one engraving and soft-ground etching.

L'Apocalypse, Paris: GLM (Guy Lévis Mano), 1937

Stanley William Hayter

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