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A work made of watercolor with rewetting and blotting, over graphite, on thick, moderately textured, ivory wove paper (left and lower edges trimmed).

Landscape in Maine, 1915

John Marin

A work made of watercolor, with pen and black ink, graphite, and touches of brown crayon on tan wove paper (pieced), laid down on tan wove paper, laid down on cream wove paper.

Caryatid: Rose and Blue, 1912–14

Amedeo Modigliani

A work made of gouache with encaustic and oil paint on cream wove paper.

The Angel and the Reader, c. 1930

Marc Chagall

A work made of gouache, watercolor, and black and ochre chalks, manipulated with stump and wet brush, on cream laid paper.

Head of a Woman, spring 1909

Pablo Picasso

A work made of graphite, with stumping, on cream laid paper.

Two Nudes, Standing, fall 1906

Pablo Picasso

A work made of watercolor with touches of blotting, and with graphite and black colored pencil, on lightweight (estimated), slightly textured, ivory wove paper (top, left and right edges trimmed), laid down on artists’ board faced with ivory wove paper, in original frame.

Cape Split, Maine, 1941

John Marin

A work made of brush and india ink, black crayon, and white chalk on brown wove paper.

Carnival in Naples, 1925, reworked in 1944

Max Beckmann

Valley Town

Valley Town, n.d.

Carl Gaertner

A work made of pastel and oil on linen.

Starving Spirits, 1934

Paul Klee

A work made of watercolor and gouache on cream wove paper.

Snowstorm in the Woods, 1917

Charles Ephraim Burchfield

A work made of watercolor with charcoal and stumping, and charcoal wash, on thick, slightly textured, ivory wove paper (lower and right edges trimmed), in original frame.

Ocean and Rocks, 1917

John Marin

A work made of watercolor with rewetting and blotting, over graphite, on moderately thick, slightly textured, off-white wove paper (top and left edges trimmed), in original frame.

Ragged Island, Maine, 1914

John Marin

A work made of watercolor with blotting and traces of scraping, and with traces of graphite, on moderately thick, moderately textured, off-white wove paper.

Movement: Fifth Avenue, 1912

John Marin

A work made of watercolor with blotting and wiping, and with charcoal, on thick, moderately textured, ivory wove paper (lower and left edges trimmed), in original frame.

Spring Rains, 1918

John Marin

A work made of watercolor and charcoal with stumping, and with charcoal wash, on thick, slightly textured, ivory wove paper (all edges trimmed), in original frame.

Untitled (Green and White), 1917

John Marin

A work made of watercolor with opaque watercolor, scraping, and wiping, and fabricated charcoal with stumping, on thick, rough-textured, ivory wove paper (all edges trimmed).

The Red Sun, Brooklyn Bridge, 1922

John Marin

A work made of watercolor with charcoal, on thick, rough textured, ivory wove paper (all edges trimmed).

Other Side, c. 1920

John Marin

A work made of watercolor with blotting and touches of scraping, and with charcoal with erasing, on moderately thick (estimated), moderately textured, ivory wove paper (right and lower edges trimmed), perimeter mounted to wood-pulp board, faced with ivory paper gilt with silver leaf, in original frame.

Headed for Boston, 1923

John Marin

A work made of watercolor with fabricated charcoal on (recto), and watercolor and charcoal wash with rewetting, blotting, and wiping with touches of grphite over charcoal (verso), on thick, rough-textured, off-white wove paper (top and right edges trimmed).

Blue Sea (recto); Sheet of Sketches (verso), 1923

John Marin

A work made of watercolor with wiping, and fabricated charcoal, over graphite, on thick, slightly textured, off-white wove paper (all edges trimmed), hinged to wood-pulp board, faced with cream paper, gilt with silver leaf, in original frame.

Sea Movement–Green and Blue, 1923

John Marin

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