Curator

  • Art Institute Chicago
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A work made of graphite and black colored pencil on cream wove paper.

Untitled, 1961

Lee Bontecou

White and yellow flowers in a green vase sitting on a decorative surface, a blue background in the upper portion of the painting. The brushwork creates a slight blurring effetct.

Still-Life with a Green Flower Vase, c. 1902

Paula Modersohn-Becker

A work made of wax crayons and colored crayon and graphite with scraping and incising, on ivory wove paper.

Untitled, 1943

Arshile Gorky

A work made of oil pastel and colored crayons, and fiber-tipped and ball point pens, with graphite, on ivory wood pulp board.

White Nurse, 1965

Peter Saul

A work made of pen and brush and black ink and brush and gray wash on blue wove paper.

The Minotaur, June 24, 1933

Pablo Picasso

A work made of blue pencil on cream japanese vellum.

Reclining Girl, 1912/1914

Gustav Klimt

A work made of color screenprint on ivory wove paper.

Moca Standard, 1969

Ed Ruscha

A work made of graphite and charcoal on paper.

Untitled, I, 1969

Jasper Johns

A work made of photographs with graphite, red crayon and collage, on white-surfaced cardboard.

Packed Coast, Australia, 1969

Christo

A work made of color screenprint on ivory wove paper.

Cheese Mold Standard with Olive, 1969

Ed Ruscha

A work made of color screenprint on ivory wove paper.

Standard Station, 1966

Ed Ruscha

A work made of color screenprint on ivory wove paper.

Double Standard, 1969

Ed Ruscha

A work made of graphite, with crayon, watercolor and collage on paper.

Running Fence, Sonoma and Marin Counties, California, 1972–76

Christo

Earthenware plate decorated with brownish black house pattern on rim and a central landscape scene depicting a lion lying on the ground and looking at the monkey turned to the viewer with two donkeys at the back. The scene has an inscription "LE LION LE SINGE ET LES DEUX ANES" at the bottom.

The Skier, 1976

Jim Dine

A work made of charcoal on cream wove paper.

Woman in Profile, Turned Right, 1898/99

Paula Modersohn-Becker

Australian Seacoast Wrapped

Australian Seacoast Wrapped, 1969

Christo

Hanging Up the Frame

Hanging Up the Frame, 1976

William T. Wiley

Collage

Collage, 1978

Robert Nickle

A work made of charcoal, with red conté and colored crayons, touches of graphite, and scraping, heightened with white oil paint, on canvas prepared with a glue ground.

The Kerosene Lamp, 1924

Joan Miró

Watercolor painting of a bright-pink bedroom with skewed perspective and flattened forms. Placed diagonally is a bed with a yellow bedframe and red striped sheets. In the center background is a blue dresser with an oval mirror, and on the right is a doorway through we can see a black-skinned figure holding something, possibly a baby.

Virginia Interior, 1942

Jacob Lawrence

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