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  • Art Institute Chicago
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A work made of graphite and earth on wove paper, mounted to canvas.

Mesa Verde, Colorado, 1977

Michelle Stuart

A work made of engraving with etching on ivory laid paper.

Le Repentir Tardif (The Tardy Repentance), c. 1760-1790

Nicolas Lavreince

A work made of pen and brown ink, with brush and brown wash, over graphite, on ivory laid paper, tipped onto ivory laid paper.

Standing Female Figure with Right Hand Raised, n.d.

John Michael Rysbrack

A work made of pen and brown ink, with brush and brown wash, over graphite, on cream laid paper, tipped onto ivory laid paper.

Design for a Funerary Monument with Fate, Putto, and Urn, n.d.

John Michael Rysbrack

A work made of pen and brown ink, with brush and brown wash, over graphite, on cream laid paper.

Unexecuted Design for the Monument to the First Duke of Marlborough, c. 1733

John Michael Rysbrack

A work made of pen and brown ink, with brush and brown wash, over graphite, on tan laid paper.

Unexecuted Designs for the Monument to the First Duke of Marlborough, c. 1733

John Michael Rysbrack

A work made of glass beads, cloth, and leather.

Necklace (Odigba Ifa), Late 19th/early 20th century

Yoruba

A work made of woodcut on tan japanese paper.

Two at a Bar, c. 1929

Edward Burra

A work made of pen and brown ink, with brush and brown wash, over graphite, on cream laid paper, tipped onto ivory laid paper.

Preliminary Design for Monument to John Gay the Poet, c. 1736

John Michael Rysbrack

A work made of watercolor with rewetting and touches of blotting, on thick, slightly textured, off-white wove paper (left and lower edges trimmed).

The Little Tree, Maine, 1914

John Marin

A work made of watercolor with rewetting and blotting, over graphite, on thick, moderately textured, ivory wove paper (left and lower edges trimmed).

Landscape in Maine, 1915

John Marin

A work made of watercolor, with pen and black ink, graphite, and touches of brown crayon on tan wove paper (pieced), laid down on tan wove paper, laid down on cream wove paper.

Caryatid: Rose and Blue, 1912–14

Amedeo Modigliani

A work made of gouache with encaustic and oil paint on cream wove paper.

The Angel and the Reader, c. 1930

Marc Chagall

A work made of gouache, watercolor, and black and ochre chalks, manipulated with stump and wet brush, on cream laid paper.

Head of a Woman, spring 1909

Pablo Picasso

A work made of graphite, with stumping, on cream laid paper.

Two Nudes, Standing, fall 1906

Pablo Picasso

A work made of watercolor with touches of blotting, and with graphite and black colored pencil, on lightweight (estimated), slightly textured, ivory wove paper (top, left and right edges trimmed), laid down on artists’ board faced with ivory wove paper, in original frame.

Cape Split, Maine, 1941

John Marin

A work made of brush and india ink, black crayon, and white chalk on brown wove paper.

Carnival in Naples, 1925, reworked in 1944

Max Beckmann

Valley Town

Valley Town, n.d.

Carl Gaertner

A work made of pastel and oil on linen.

Starving Spirits, 1934

Paul Klee

A work made of watercolor and gouache on cream wove paper.

Snowstorm in the Woods, 1917

Charles Ephraim Burchfield

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