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A work made of watercolor with charcoal and stumping, and charcoal wash, on thick, slightly textured, ivory wove paper (lower and right edges trimmed), in original frame.

Ocean and Rocks, 1917

John Marin

A work made of watercolor with rewetting and blotting, over graphite, on moderately thick, slightly textured, off-white wove paper (top and left edges trimmed), in original frame.

Ragged Island, Maine, 1914

John Marin

A work made of watercolor with blotting and traces of scraping, and with traces of graphite, on moderately thick, moderately textured, off-white wove paper.

Movement: Fifth Avenue, 1912

John Marin

A work made of watercolor with blotting and wiping, and with charcoal, on thick, moderately textured, ivory wove paper (lower and left edges trimmed), in original frame.

Spring Rains, 1918

John Marin

A work made of watercolor and charcoal with stumping, and with charcoal wash, on thick, slightly textured, ivory wove paper (all edges trimmed), in original frame.

Untitled (Green and White), 1917

John Marin

A work made of watercolor with opaque watercolor, scraping, and wiping, and fabricated charcoal with stumping, on thick, rough-textured, ivory wove paper (all edges trimmed).

The Red Sun, Brooklyn Bridge, 1922

John Marin

A work made of watercolor with charcoal, on thick, rough textured, ivory wove paper (all edges trimmed).

Other Side, c. 1920

John Marin

A work made of watercolor with blotting and touches of scraping, and with charcoal with erasing, on moderately thick (estimated), moderately textured, ivory wove paper (right and lower edges trimmed), perimeter mounted to wood-pulp board, faced with ivory paper gilt with silver leaf, in original frame.

Headed for Boston, 1923

John Marin

A work made of watercolor with fabricated charcoal on (recto), and watercolor and charcoal wash with rewetting, blotting, and wiping with touches of grphite over charcoal (verso), on thick, rough-textured, off-white wove paper (top and right edges trimmed).

Blue Sea (recto); Sheet of Sketches (verso), 1923

John Marin

A work made of watercolor with wiping, and fabricated charcoal, over graphite, on thick, slightly textured, off-white wove paper (all edges trimmed), hinged to wood-pulp board, faced with cream paper, gilt with silver leaf, in original frame.

Sea Movement–Green and Blue, 1923

John Marin

A work made of watercolor with blotting, black pencil, and charcoal on moderately thick, slightly textured, off-white wove paper (trimmed top edge), in original frame.

The Pine Tree, Small Point, Maine, 1926

John Marin

A work made of watercolor with blotting, wiping, and touches of scraping, and with black and brown colored pencils, on moderately thick (estimated), moderately textured, ivory wove paper (top, right and lower edges trimmed), hinged to paper prepared with a black wash, with a decorative paperboard collar gilt with silver leaf, laid down on wood-pulp board faced with cream wove paper, in original frame.

Movement No 23–The Sea and Pertaining Thereto, 1927

John Marin

A work made of watercolor with black crayon, on moderately thick, moderately textured, ivory wove paper (all edges trimmed), in original frame.

Valley of the Hondo, New Mexico, 1930

John Marin

A work made of watercolor with wiping, blotting, and scraping, and with black colored pencil, black crayon, and graphite, on moderately thick (estimated), slightly textured, ivory wove paper (all edges trimmed) perimeter mounted to wood-pulp board faced with cream wove paper, in original frame.

West Forty-Second Street from Ferryboat, 1929

John Marin

A work made of watercolor, with black colored pencil and black crayon, on moderately thick (estimated), slightly textured, ivory wove paper (all edges trimmed), laid down on wood-pulp laminate board faced with ivory wove (estimated) paper, prepared with a gray wash, with a decorative paper board collar gilt with silver leaf, in original frame.

Movement No 24–Pertaining to Deer Isle–The Road, 1927

John Marin

A work made of watercolor with wiping and scraping, and with opaque watercolor, over graphite, on medium-weight (estimated), moderately textured, ivory wove paper (all edges trimmed), laid down on wood-pulp board faced with ivory wove (estimated) paper, gilt with silver leaf, and backed with dark red wove paper, in original frame.

Sea, Green and Brown, Maine, 1937

John Marin

A work made of watercolor with black crayon on moderately thick, moderately textured ivory wove paper (all edges trimmed), in original frame.

Mountain Forms, New Mexico, 1930

John Marin

A work made of charcoal, with stumping, on cream laid paper.

Fernande Olivier, summer 1906

Pablo Picasso

Structural Collage

Structural Collage, 1949

Robert Nickle

A work made of watercolor with blotting, wiping, and scraping, and black crayon, with brown colored pencil, on heavyweight, moderately textured, ivory wove paper (all edges trimmed), in original frame.

Nudes in Sea, 1940

John Marin

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