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A work made of watercolor with blotting, black pencil, and charcoal on moderately thick, slightly textured, off-white wove paper (trimmed top edge), in original frame.

The Pine Tree, Small Point, Maine, 1926

John Marin

A work made of watercolor with blotting, wiping, and touches of scraping, and with black and brown colored pencils, on moderately thick (estimated), moderately textured, ivory wove paper (top, right and lower edges trimmed), hinged to paper prepared with a black wash, with a decorative paperboard collar gilt with silver leaf, laid down on wood-pulp board faced with cream wove paper, in original frame.

Movement No 23–The Sea and Pertaining Thereto, 1927

John Marin

A work made of watercolor with black crayon, on moderately thick, moderately textured, ivory wove paper (all edges trimmed), in original frame.

Valley of the Hondo, New Mexico, 1930

John Marin

A work made of watercolor with wiping, blotting, and scraping, and with black colored pencil, black crayon, and graphite, on moderately thick (estimated), slightly textured, ivory wove paper (all edges trimmed) perimeter mounted to wood-pulp board faced with cream wove paper, in original frame.

West Forty-Second Street from Ferryboat, 1929

John Marin

A work made of watercolor, with black colored pencil and black crayon, on moderately thick (estimated), slightly textured, ivory wove paper (all edges trimmed), laid down on wood-pulp laminate board faced with ivory wove (estimated) paper, prepared with a gray wash, with a decorative paper board collar gilt with silver leaf, in original frame.

Movement No 24–Pertaining to Deer Isle–The Road, 1927

John Marin

A work made of watercolor with wiping and scraping, and with opaque watercolor, over graphite, on medium-weight (estimated), moderately textured, ivory wove paper (all edges trimmed), laid down on wood-pulp board faced with ivory wove (estimated) paper, gilt with silver leaf, and backed with dark red wove paper, in original frame.

Sea, Green and Brown, Maine, 1937

John Marin

A work made of watercolor with black crayon on moderately thick, moderately textured ivory wove paper (all edges trimmed), in original frame.

Mountain Forms, New Mexico, 1930

John Marin

A work made of charcoal, with stumping, on cream laid paper.

Fernande Olivier, summer 1906

Pablo Picasso

Structural Collage

Structural Collage, 1949

Robert Nickle

A work made of watercolor with blotting, wiping, and scraping, and black crayon, with brown colored pencil, on heavyweight, moderately textured, ivory wove paper (all edges trimmed), in original frame.

Nudes in Sea, 1940

John Marin

A work made of watercolor and gouache, over graphite, on tan wove paper.

Seated Female Nude, summer 1909

Pablo Picasso

A work made of gouache on black wove paper laid down on cream laminated cardboard.

The Green Line, 1938

Vasily Kandinsky

A work made of charcoal, with stray white gouache on tan laid paper.

Head of a Man with Cigar, c. 1912

Juan Gris

A work made of brush, pen, and splattered black inks with collage of cut ivory and cream slightly textured wove papers adhered to pale pink, moderately textured wove (arches) paper.

Everything One Wants to Be, 1953

Jean Dubuffet

A work made of opaque watercolor with watercolor washes on ivory, rough textured wove paper.

Ciphers and Constellations in Love with a Woman, 1941

Joan Miró

A work made of watercolor with blotting and scraping, over graphite, on medium-weight, moderately textured, ivory wove paper (all edges trimmed), laid down on wood-pulp laminate board.

Buildings, One with Tower, 1910

John Marin

A work made of watercolor with rewetting, blotting, wiping, and scraping, on moderately thick, rough, off-white wove paper (all edges trimmed).

Tree and Mountain Forms, Delaware River Country, 1916

John Marin

A work made of fabricated charcoal on blue laid paper.

Landzicht Farm: Compositional Study, c. 1905

Piet Mondrian

A work made of pastel on paper mounted on canvas.

Katherine Van Etta Medill, n.d.

Paul-César Helleu

A work made of graphite on buff wove paper.

City of Drawers, 1936

Salvador Dalí

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