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A work made of etching and drypoint in black on ivory wove paper.

Page 310, from Dead Souls, 1923–27

Marc Chagall

A work made of etching and drypoint in black on ivory wove paper.

Page 120, from Dead Souls, 1923–27

Marc Chagall

A work made of linocut on gray laid paper.

The Bather, 1913

Horace Brodzky

A work made of etching and aquatint in black on ivory laid paper.

Mood, 1917

Cecil Buller

A work made of woodcut on tan japanese paper.

Two at a Bar, c. 1929

Edward Burra

A work made of linocut in black on ivory japanese paper.

Susanna and the Elders, 1920s

Cecil Buller

A work made of linocut in black on brown wove paper.

The Dream, 1915/20

Cecil Buller

A work made of wood engraving in black on buff japanese paper.

Women Bathing, 1930s

Cecil Buller

A work made of lithograph in black on ivory wove paper.

Still Life, 1950

Jean K. Cassill

A work made of soft ground etching in black on tan japanese paper.

Sunday Afternoon, Central Park, 1939

Cecil Buller

A work made of wood engraving in black on cream japanese paper.

Shop Window, n.d.

Cecil Buller

A work made of etching in black on cream japanese paper.

Ascot, Royal Enclosure, 1925

Wendela Boreel

A work made of etching in black, with graphite, on cream japanese paper.

Mornington Crescent, c. 1913

Wendela Boreel

A work made of graphite on cream wove paper.

Untitled (Front of San Marco), 1924

Wendela Boreel

A work made of etching in black on ivory wove paper.

Lunch Hour, Lincoln Inn Fields, n.d.

Wendela Boreel

A work made of etching in black on cream laid paper.

Lunch Hour, Lincoln Inn Fields, n.d.

Wendela Boreel

A work made of lithograph in black on ivory wove paper.

The Pool Player, 1921

George Wesley Bellows

A work made of mahogany and upholstery.

Pair of Side Chairs, 1755–90

Artist unknown

A work made of silk, warp-float faced 7:1 satin weave; embroidered with silk floss and yarns, gilt-metal-strip-wrapped silk, gilt metal purl and cardboard in brick, overcast, running, satin, and split stitches; couching, padded couching and laid work; french knots, braided pom pons and seed pearls; in tortoise-shell frame.

Mirror Showing King Charles II, Queen Catherine of Braganza, and Scenes from the Old Testament, c. 1665

A work made of cotton, plain weave; copperplate printed.

Shakespeare Monument with Fantastic Fountains and Trees (Furnishing Fabric), 1770/89

John Munns

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