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A work made of color woodblock print.

Kintai Bridge at Iwakuni, Suo (Boshu) Province from the series “One Hundred Famous Views of the Various Provinces”, 1859

Utagawa Hiroshige II (Shigenobu)

A work made of color woodblock print; oban.

Fireworks at Ryogoku (Ryogoku hanabi), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1858

Utagawa Hiroshige

La Porte, Vannes

La Porte, Vannes, n.d.

Herman Armour Webster

La Rue de la Boucherie, Limoges

La Rue de la Boucherie, Limoges, n.d.

Herman Armour Webster

A work made of pen and brown ink and brush and brown wash on off-white wove paper.

Shepheard's, London, n.d.

Randolph Schwabe

A work made of pen and brown ink and brush and gray wash, over graphite, on white wove paper.

Ponte della Grazia, Florence, n.d.

Herman Armour Webster

A work made of pen and brown ink and brush and gray wash, with scraping and graphite, on white wove paper.

Ponte Santa Trinita, No.4, n.d.

Herman Armour Webster

A work made of pen and brown ink and brush and gray wash, over graphite, on white wove paper.

Ponte alla Carraia, Florence, n.d.

Herman Armour Webster

A work made of pen and brown ink and brush and gray wash, over graphite, on white wove paper.

Canal, Venice, n.d.

Herman Armour Webster

A work made of pen and brown ink and brush and gray wash, with graphite, on cream wove paper.

Venice, n.d.

Herman Armour Webster

A work made of watercolor and charcoal on cream wove paper.

In as Much as Ye Have Done It, n.d.

Louis Raemaekers

A work made of charcoal, with stumping, scraping and erasing, on ivory wove paper.

First Aid Post, Ruins of the Chateau d'Esnes, Meuse, c. 1916

Herman Armour Webster

A work made of graphite (recto and verso) on buff wove paper with red fibers.

Standing Male Nude, Arms Raised (recto); Standing Female Nude (verso), n.d.

Abram Poole

A work made of graphite on buff wove paper (recto and verso) with red fibers.

Standing Male Nude (recto); Standing Female Nude, Seen from Behind, with Three Sketches, n.d.

Abram Poole

A work made of charcoal, with touches of stumping (recto), and charcoal (verso), on cream wove paper.

Canal at Quimper (recto); Boats at Entrance to Canal (verso), n.d.

Herman Armour Webster

A work made of pen and brown ink, with brush and brown and gray wash, over graphite, on white wove paper.

The Valentre Bridge, Cahors, n.d.

Herman Armour Webster

A work made of charcoal, with orange, gray and blue pastel, on ivory wove paper.

Aubreville Mews, c. 1916

Herman Armour Webster

A work made of brush and brown ink, over traces of graphite on cream wove paper, discolored to tan.

Horse, n.d.

Jane Poupelet

A work made of red and black chalk, heightened with white chalk, on gray laid paper.

Three Nudes, 1917

Charles Haslewood Shannon

A work made of brush and brown ink, over traces of graphite on cream wove paper, discolored to tan.

Seated Female Nude, Seen from Behind, n.d.

Jane Poupelet

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