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  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of offset lithograph on card.

False Image Postcard, 1968

Roger Brown

A work made of lithograph on ivory wove paper.

Mother and Child, 1986

Roger Brown

A work made of transfer lithograph on ivory wove paper.

Shit to Gold, 1986

Roger Brown

A work made of offset lithograph on card.

False Image Postcard, 1968

Philip Hanson

A work made of offset lithograph on card.

False Image Postcard, 1968

Roger Brown

A work made of offset lithograph on card.

False Image Postcard, 1968

Christina Ramberg

A work made of offset lithograph on card.

False Image Postcard, 1968

Eleanor Dube

A work made of offset lithograph on card.

False Image Postcard, 1968

Philip Hanson

A work made of offset lithograph on card.

False Image Postcard, 1968

Eleanor Dube

A work made of color silkscreen decals, commercially manufactured.

False Image Decals, 1969

Philip Hanson

A work made of color silkscreen decals, commercially manufactured.

False Image Decals, 1969

Roger Brown

A work made of color silkscreen decals, commercially manufactured.

False Image Decals, 1969

Eleanor Dube

A work made of offset lithograph commercially printed on buff wove paper.

False Image, 1969

Roger Brown

A work made of offset lithograph commercially printed on white wove paper.

False Image, 1969

Roger Brown

Print in thick black lines of two women, pictured from the shoulders up, in front of three apartment buildings. The woman on the left wears a headwrap. She looks directly at the viewer with eyebrows raised and mouth slightly frowning. The woman on the right is in profile, looking at the other woman.

Special Houses, from The Black Woman (formerly The Negro Woman) (published 1946-47), 1946, printed 1989

Elizabeth Catlett

A work made of linocut on cream wove paper.

In Other Folk's Homes, from The Black Woman (formerly The Negro Woman) (published 1946-47), 1946, printed 1989

Elizabeth Catlett

A work made of offset lithograph, commercially printed.

Roger Brown and Art Green, 1973

Roger Brown

A work made of eight digitally printed pages on white wove paper.

The Domain of the Great Bear, 1966

Mel Bochner

Print in black ink of of a black male sprawled on his back with eyes open, a noose around his neck. The feet of several other men are visible near him at the top of the print.

And a Special Fear for My Loved Ones, from The Black Woman [formerly The Negro Woman] (published 1946-47), 1947, printed 1989

Elizabeth Catlett

A work made of portfolio of nine photo offset prints on white, lined notecard; one manilla envelope with offset print on recto; one photo offset print on white wove paper.

Misunderstandings (A Theory of Photography), 1970

Mel Bochner

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