Curator

  • Art Institute Chicago
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A work made of etching on cream wove paper.

Conversation, 1931

Isabel Bishop

A work made of lithograph in five colors on cream wove paper.

Sheet III from Russian Ballet, 1914/19

David Bomberg

A work made of lithograph in five colors on single sheet of cream wove paper.

Sheet II from Russian Ballet, 1914/19

David Bomberg

A work made of lithograph on cream wove paper.

Sheet I from Russian Ballet, 1914/19

David Bomberg

A work made of lithograph in four colors on cream wove paper.

Sheet VI from Russian Ballet, 1914/19

David Bomberg

A work made of lithograph in five colors on cream wove paper.

Sheet V from Russian Ballet, 1914/19

David Bomberg

A work made of lithograph in five colors on cream wove paper.

Sheet IV from Russian Ballet, 1914/19

David Bomberg

A work made of etching on tan laid paper.

Driving Home in the Rain, 1914

Edmund Blampied

A work made of drypoint on cream wove paper.

Portrait of Joseph Conrad, 1923

David Muirhead Bone

A work made of lithograph on cream wove paper.

Harvest, c. 1947

Fritzi Brod

A work made of etching with reddish-brown ink, on heavy off-white wove paper.

The Magi at Masada, 1979

Paul Henry Brach

A work made of drypoint on ivory wove paper.

Ostend Shrimper, 1926

Edmund Blampied

A work made of drypoint on cream wove paper.

Joseph Conrad Reading, c. 1911

David Muirhead Bone

A work made of lithograph on ivory wove paper.

The Hair Ribbon, c. 1947

Fritzi Brod

A work made of lithograph and woodcut, in color, and chine collé on cream amate paper, 8 plates hinged and folded into accordian book style resulting in cover, back cover and 6 pages.

The Return of the Macrobiotic Cannibal, 1998

Enrique Chagoya

A work made of color screenprint on ivory wove card.

Roads, 1967

Roger Brown

A work made of lithograph and woodcut, in color, on chine collé on cream amate paper, 8 plates hinged and folded into accordian book style resulting in cover, back cover and 6 pages.

The Utopian Cannibal, 2000

Enrique Chagoya

A work made of etching and aquatint on cream wove paper.

Study for Standing While All Around Are Sinking, 1977

Roger Brown

A work made of lithograph on ivory wove paper.

Rolling Meadows, 1979

Roger Brown

A work made of color screenprint on white wove paper.

Magic, 1967

Roger Brown

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