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A work made of etching in black on ivory laid paper.

The Duc d’Orléans, and His Son, 1759

Louis de Carmontelle

A work made of etching and engraving in black on buff laid paper (discolored to tan), tipped onto ivory wove paper.

Madame Pierre Lullin-Fatio, 1763, after a drawing dated April 1762

Jean Etienne Liotard

Gold knife with figure on handle, round turquoise inlays on crown.

Ceremonial Knife (Tumi), 1100–1470

Chimú

A work made of silver.

Female Figurine, 1450–1532

Inca

A work made of ceramic and pigment.

Negative-Painted Spotted Vessel with Bird-Head Spout, 650–150 BCE

Paracas

A work made of pen and iron gall ink, with brush and dark gray, light gray and brownish gray wash, over black chalk, on ivory laid paper, laid down on ivory laid paper.

Study of a Warship's Prow with British Warships and Naples Harbor Beyond, c. 1748

Claude Joseph Vernet

A work made of ceramic with pigment.

Figure of a Standing Warrior, 650–800

Maya

A work made of ceramic and pigment.

Mask from an Incense Burner Portraying the Old Deity of Fire, 450–750 CE

Teotihuacan

A work made of ceramic and pigment.

Ritual Impersonator of the Deity Xipe Totec, 1450–1500

Aztec (Mexica)

A work made of ceramic with pigment.

Female Figurine, 700–600 BCE

Tlatilco

A work made of ceramic and pigment.

Standing Female Figurine, 500–300 BCE

Chupícuaro

A work made of ceramic and pigment.

Standing Female Figurine, 500–300 BCE

Chupícuaro

A work made of ceramic and pigment.

Standing Male Figurine Wearing a Necklace and Breechcloth, 500–300 BCE

Chupícuaro

A work made of ceramic and pigment.

Standing Female Figurine, 500–300 BCE

Chupícuaro

Fragment of a mural from the city of Teotihuacan mural painted in red and white tones that depicts a ritual figure with speach scroll and scatting sacred bjects.

Mural Fragment Depicting a Maguey Bloodletting Ritual, 500–600 CE

Teotihuacan

A work made of ceramic with resinous postfire paint.

Jar with Anthropomorphic Figure, 650–150 BCE

Paracas

A work made of ceramic with resinous postfire paint.

Vessel with Abstract Feline and Falcon-Head Spout, 650–150 BCE

Paracas

A work made of ceramic with resinous postfire paint.

Vessel with Abstract Feline Mask and Bird-Head Spout, 650–150 BCE

Paracas

A work made of ceramic and pigment.

Vessel in the Form of a Skull, 100 BCE–500 CE

Moche

A work made of ceramic and pigment.

Portrait Vessel of a Captive, 100 BCE–500 CE

Moche

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