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A work made of charcoal, with graphite and touches of brush and gray wash, on cream wove paper.

Surrealist Landscape, n.d.

Edward Balchowsky

A work made of pen and black ink, black ballpoint pen, watercolor, and red crayon, on off-white wove paper.

Self-Portrait, July 21, 1998

Thomas Schütte

A work made of watercolor with pen and black ink, over traces of graphite, on off-white wove paper.

Self-Portrait, June 24, 1998

Thomas Schütte

A work made of brush and red and orange watercolor on off-white wove paper.

Western Suburbs, 2003

Leslie Baum

A work made of pen and brush, brown ink and gray gouache (and mixtures thereof), on off-white wove paper.

New Buffalo, MI, 2003

Leslie Baum

A work made of brush, brown ink and gray gouache, on off-white wove paper.

Snow Shrubs, 2004

Leslie Baum

A work made of charcoal, with graphite and pastel, on yellow paper.

Drawing with Numbers, c. 1963

Robert Ryman

A work made of linocut on cream wove paper.

In Other Folk's Homes, from The Black Woman (formerly The Negro Woman) (published 1946-47), 1946, printed 1989

Elizabeth Catlett

A work made of graphite on wove paper prepared with a sprayed gold ground.

Untitled (1347 Strokes), 1962

Robert Morris

Print in black ink of of a black male sprawled on his back with eyes open, a noose around his neck. The feet of several other men are visible near him at the top of the print.

And a Special Fear for My Loved Ones, from The Black Woman [formerly The Negro Woman] (published 1946-47), 1947, printed 1989

Elizabeth Catlett

Print in thick black lines of two women, pictured from the shoulders up, in front of three apartment buildings. The woman on the left wears a headwrap. She looks directly at the viewer with eyebrows raised and mouth slightly frowning. The woman on the right is in profile, looking at the other woman.

Special Houses, from The Black Woman (formerly The Negro Woman) (published 1946-47), 1946, printed 1989

Elizabeth Catlett

Print in black ink of a black boy sitting on a stool. Behind him looms a skeleton in a white hooded costume holding a noose. The skeleton is held back by a larger-than-life black man in glasses, William Patterson, who reaches in from the right side of the image wearing a banner that reads, "CRC."

Civil Rights Congress, 1949

Elizabeth Catlett

A work made of marble with carved decoration.

Tombstone in the Shape of a Prayer Niche, Seljuq dynasty (1037–1194), dated 507 AH/1113 CE

Islamic

A work made of black chalk on tan wove tracing paper, laid down on ivory wove paper.

Compositional study for The Sacred Grove, Beloved of the Arts and the Muses, 1883/84

Pierre Puvis de Chavannes

A work made of woodcut in gray, hand-colored with brush, stencil and watercolor on ivory laid paper.

The Arrival in France of Saint Francis of Paola, c. 1495

A work made of etching and engraving in black on cream paper edge mounted on cream wove paper.

Hudibras' First Adventure, plate three from Hudibras, February 1725/26

William Hogarth

A work made of etching and engraving in black on cream paper edge mounted on cream wove paper.

Hudibras Sallying Forth, plate two from Hudibras, February 1725/26

William Hogarth

A work made of etching and engraving in black on cream paper edge mounted on cream wove paper.

Frontispiece, plate one from Hudibras, February 1725/26

William Hogarth

A work made of etching and engraving in black on cream paper edge mounted on cream wove paper.

Hudibras in Tribulation, plate six from Hudibras, February 1725/26

William Hogarth

A work made of etching and engraving in black on cream paper edge mounted on cream wove paper.

Hudibras Vanquished by Trulla, plate five from Hudibras, February 1725/26

William Hogarth

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