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A work made of oil on canvas.

The Brook of Les Puits-Noir, c. 1855

Gustave Courbet

A work made of oil on canvas.

Wooded Landscape, 1860–65

Gustave Courbet

A work made of oil on canvas.

An Alpine Scene, 1874

Gustave Courbet

A work made of wood and kaolin.

Figure Posts, Early-mid 20th century

Kwere

A work made of oil on canvas.

Cliffs on the Sea Coast: Small Beach, Sunrise (Falaise au bord de la mer, vu Petite Plage, soleil levant), 1865

Gustave Courbet

A work made of linocut in black on ivory japanese paper.

Mother and Son, at Dusk, Working outside Their Hut, illustration for El Sombrerón, 1946

Alfredo Zalce

A work made of block print in black on white paper.

Illustration for El Sombrerón, 1946

Alfredo Zalce

A work made of linocut in black and blue on ivory japanese paper.

The Father Strikes the Sombrerón with an Ax, illustration for El Sombrerón, 1946

Alfredo Zalce

A work made of linocut in black on ivory japanese paper.

The Mask of the Sombrerón, illustration for El Sombrerón, 1946

Alfredo Zalce

A work made of linocut in black on red wove paper.

And Then the Dead Jaguar Was Passing before Them, illustration for El Sombrerón, 1946

Alfredo Zalce

Le Testament Dechiré (The Torn-up Will)

Le Testament Dechiré (The Torn-up Will), 1785

Jean Charles Le Vasseur

A work made of etching on heavy ivory laid paper.

View of Ponte Lugano on the Anio, from Views of Rome, 1763, published 1800–07

Giovanni Battista Piranesi

A work made of etching with drypoint in black on ivory laid paper.

The Fall of the Giants, 1663

Salvator Rosa

A work made of etching on heavy ivory laid paper.

Interior view of the Colosseum, from Views of Rome, 1766, published 1807–35

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of Visible Remains of the Baths of Diocletian at S. Maria degli Angeli, from Views of Rome, 1774, published 1800–07

Giovanni Battista Piranesi

A work made of etching on off-white wove paper.

The Arch of Septimus Severus, 1820

Luigi Rossini

A work made of etching on heavy ivory laid paper.

View of the Temple of the Sibyl at Tivoli, from Views of Rome, 1761

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Ruins of the Xystus [a long open portico used for athletic exercises], the central hall of the Antonine Baths [The Baths of Caracalla], from Views of Rome, 1765, published 1800–07

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Interior view of the so-called Tempio della Tosse [Temple of the Cough], from Views of Rome, 1764

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Octagonal Temple of Minerva Medica, from Views of Rome, 1764, published 1800–07

Giovanni Battista Piranesi

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