Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of color lithograph on off-white wove paper.

Land Slide, 1968, from Projects, 1973

Dennis Oppenheim

A work made of screenprint in black and brown on cream wove paper.

Passion of Sacco and Vanzetti

Ben Shahn

A work made of color lithograph on off-white wove paper.

Cancelled Crop–Direct Seeding, 1969, from Projects, 1973

Dennis Oppenheim

A work made of color lithograph on off-white wove paper.

Ground Mutations, 1969, from Projects, 1973

Dennis Oppenheim

A work made of color lithograph on off-white wove paper.

Removal–Transplant New York Stock Exchange, 1969, from Projects, 1973

Dennis Oppenheim

A work made of color lithograph on off-white wove paper.

Lead Sink For Sebastian, 1970, from Projects, 1973

Dennis Oppenheim

A work made of color lithograph on off-white wove paper.

2000' Shadow Protection, 1972, from Projects, 1973

Dennis Oppenheim

A work made of color lithograph on off-white wove paper.

Protection, 1971, from Projects, 1973

Dennis Oppenheim

A work made of color lithograph on off-white wove paper.

Rocked Circle–Fear, 1970, from Projects, 1973

Dennis Oppenheim

A work made of lithograph in black on off-white wove paper.

Car Crash #2, 1960

Jim Dine

A work made of lithograph in black on off-white wove paper.

Car Crash #1, 1960

Jim Dine

A work made of color lithograph on off-white wove paper.

Polarities, 1972, from Projects, 1973

Dennis Oppenheim

A work made of lithograph in black on off-white wove paper.

Car Crash #5, 1960

Jim Dine

A work made of lithograph in black on off-white wove paper.

Car Crash #4, 1960

Jim Dine

A work made of lithograph in black on 0ff-white wove paper.

Car Crash #3, 1960

Jim Dine

A work made of lithograph in black on cream wove paper.

Avenging Angel, 2002

Mary Mito

Color print with an ombre sky that fades from bright blue at the top to pale blue at the bottom. At the bottom of the frame, a youthful black figure wearing a cloak looks upward. A large conch shell in vibrant pink floats above the person's head.

Love Letter III, 1977

Charles White

A work made of color lithograph on cream wove paper.

Love Letter II, 1977

Charles White

A work made of color lithograph on buff wove paper.

Love Letter I, 1971

Charles White

A work made of relief etching in black on light brown wove paper.

Nearer to the Brutes, part one of Brute Creation, 2008

Phillip Chen

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