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A work made of etching on heavy ivory laid paper.

View of the Arch of Titus, from Views of Rome, 1771

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Grand Cascade at Tivoli, from Views of Rome, 1765

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Interior view of the villa of Maecenas, from Views of Rome, 1764, published 1800–07

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Ruins of the Antonine Baths [Baths of Caracalla], from Views of Rome, 1765, published 1800–07

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Remains of the temple of the god Canopus at Hadrian's Villa, Tivoli, from Views of Rome, 1768

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Pantheon of Agrippa, today S. Maria ad Martyres, from Views of Rome, 1761

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Remains of the so-called Temple of Apollo at Hadrian's Villa, Tivoli, from Views of Rome, 1768, published 1800–07

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

View of the Remains of the Cella of the Temple of Neptune, from Different views of Paestum, 1778

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Interior view of St. Peter's Basilica in the Vatican, from Views of Rome, 1748

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the So-Called Tempio della Tosse (Temple of the Cough) on the Via Tiburtina a mile from Tivoli, from Views of Rome, 1763

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

Interior view of the remains of one of the pronaoi of the Temple of Neptune which faces inland, from Different views of Paestum, 1778

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

View of the Remains of the Two Rows of Columns in the Temple of Neptune which [originally] formed the colonnades along the sides of the cella, and supported the uppermost part of the roof, from Different views of Paestum, 1778

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

Rear view of the remains of the pronaos of the Temple of Neptune, drawn in the two preceding plates, from Different views of Paestum, 1778

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Ponte Molle [or Milvian Bridge] over the Tiber two miles outside Rome, from Views of Rome, 1762

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

Interior View of the Temple Which is Believed to Have Been Dedicated to Juno, from Different views of Paestum, 1778

Giovanni Battista Piranesi

A work made of etching on ivory laid paper.

Interior view of the so-called College des Anfictions, from Different views of Paestum, 1778

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Interior view of the ancient Temple of Bacchus, now the church of S. Urbano, two miles from Rome, from Views of Rome, 1767, published 1800–07

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Temple of Bacchus, now the church of S. Urbano, two miles distant from Rome, beyond the Porta S. Sebastiano, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

View of the Ponte Salario, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of etching on heavy ivory laid paper.

Interior view of the Pantheon, from Views of Rome, 1768, published 1800–07

Giovanni Battista Piranesi

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