Curator

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Color print of ten African American people raising their fists. They stand in two diagonal lines that converge in the middle. In the background, "unite" is repeated diagonally in yellow, purple, blue, and red block letters.

Unite (AfriCOBRA), 1971

Barbara Jones

A work made of lithograph in black on cream wove paper.

Nice, 1966

Philip Guston

A work made of woodcut from black, tan, light blue, dark blue, mauve, red, pink, and gray blocks on japanese paper.

Lion in the Forest, 1953

Ynez Johnston

A work made of color monotype on off-white wove paper.

McGregor's Garden, n.d.

Barbara Uhl

Screenprint of what appears to be a family walking in front of a group of construction workers building a wall. The figures all have dark-brown skin except for one construction worker with white skin. In the family group, a man and a woman hold hands with each other and two small children. The woman and the girl wear yellow dresses and red hats; the boy wears a blue shirt; the man wears a suit and a yellow hat. The workers in the background wear blue.

The Builders, 1974

Jacob Lawrence

A work made of lithograph on ivory wove paper.

Untitled, n.d.

Richard Hunt

In this screenprint, a large crowd of dark-brown-skinned figures dressed in bright yellow, red, blue, and green clothing are crossing a bridge. All of the people recoil in fear as a menacing wolf-like animal approaches them from the other side of the bridge.

Confrontation at the Bridge, 1975

Jacob Lawrence

A work made of soft ground etching, lift-ground and spit-bite aquatint, line and stipple etching, and engraving on white wove paper.

In Horne's House, from Imaging Ulysses, 1981–82

Richard Hamilton

A work made of soft ground etching, lift-ground aquatint, engraving, scraping and burnishing, in twenty-three colors from five plates on white wove paper.

Bronze by Gold, from Imaging Ulysses, 1985–87

Richard Hamilton

A work made of heliogravure, lift-ground and spit-bite aquatint, engraving and burnishing on white wove paper.

Finn MacCool, from Imaging Ulysses, 1983

Richard Hamilton

A work made of hard and soft ground etching and aquatint, on cream japanese paper, laid down on white wove paper (chine collé).

Untitled (LA MoCA portfolio), 1999

Martin Puryear

A work made of woodcut on ivory japanese paper.

Dark Loop, 1982

Martin Puryear

A work made of soft ground etching, roulette, engraving and aquatint on white wove paper.

Leopold Bloom, from Imaging Ulysses, 1983

Richard Hamilton

A woman with dark brown skin and an afro reclines on a patterned yellow couch, her legs crossed in the foreground. She wears hoop earrings, a loose purple top, and yellow eyeshadow.

Can't We Just Sit Down and Talk it Over?, 2006–07

Mickalene Thomas

A work made of color etching and aquatint in red, orange, pink, black, and green on white wove paper.

Dancer, 1973

Valerio Adami

A work made of etching and drypoint on ivory laid paper.

Saint Thecla Praying for the End of the Plague in the City of Este, c. 1760

Lorenzo Tiepolo

A work made of color offset lithograph, with screenprinting and glitter flocking, and hand additions in various colored pencils and pens on white wove commercially manufactured paper with a glossy coating.

Ickybana Offering, 2007

Randy Wray

A work made of etching on off-white laid paper.

Oath of Louis XVI at his Investiture, 1779

Jean Michel Moreau

A work made of color lithograph on off-white wove paper.

Capture of El Canoy, El Paso, 1898

Kurz & Allison

A work made of color lithograph on off-white wove paper.

The Battle of Champion Hills, 1887

Kurz & Allison

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