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A work made of etching on ivory chine collé on off-white wove paper.

Fears, plate seven from A Glove, 1881

Max Klinger

A work made of etching on ivory chine collé on off-white wove paper.

Homage, plate six from A Glove, 1881

Max Klinger

A work made of etching and aquatint in dark brown and reddish-orange ink on lightweight off-white wove paper, laid down on heavy off-white wove plate paper.

Abandoned, plate five from A Life, 1884

Max Klinger

A work made of etching and aquatint on ivory chine collé on off-white wove paper.

Cupid, plate ten from A Glove, 1881

Max Klinger

A work made of etching and aquatint on ivory chine collé on off-white wove paper.

Abduction, plate nine from A Glove, 1881

Max Klinger

A work made of various charcoals, with wiping, stumping, erasing, and incising, on cream wove paper altered to a golden tone.

Faust and Mephistopheles, 1880

Odilon Redon

A work made of color lithograph in green, blue, yellow, red, and peach with scraping on plate, from a zinc plate on buff wove paper.

In Times of Harmony, 1895–96

Paul Signac

A work made of etching and aquatint on ivory chine collé on off-white wove paper.

Wishes, plate three from A Glove, 1881

Max Klinger

A work made of graphite with stumping, scratching and erasing on off-white wove paper, prepared with a white gouache ground (scratchboard).

The Greatest Love of Don Juan, 1879

Félicien Rops

A work made of etching on chine collé, laid down on cream laid paper.

Lucifer, c. 1890

Franz von Stuck

A work made of etching and aquatint in black ink on ivory wove paper, laid down on ivory wove plate paper (chine collé).

The Isle of the Dead, 1890

Max Klinger

A work made of lithograph on cream wove paper.

Spring, after 1901

Ferdinand Hodler

A work made of zincograph in blue-black on yellow wove paper.

Image Design for a Poster, Wagenaar's Cantata 'The Shipwreck', 1899

Jan Toorop

A work made of etching, soft ground etching, and aquatint, with drypoint, on cream wove paper.

Inspiration, 1908

Käthe Kollwitz

A work made of color transfer lithograph from three stones on grayish-ivory china paper.

Silence, 1894/97

Henri Martin

A work made of etching, aquatint and burnishing in black ink on ivory wove paper.

Night, from On Death Part I, 1888–89

Max Klinger

A work made of lithograph in brown and blue, from two stones, with scraping on stones, on cream wove paper.

The Fools, 1899

František Kupka

A work made of color etching and aquatint, with drypoint, on cream wove paper.

Song of Bilitis (Chanson de Bilitis), 1905

Marie Laurencin

A work made of color lithograph on off-white wove paper.

Morphine Addict, from The Album of Original Prints from Galerie Vollard (Morphinomaniac, from L'album d'estampes originales de la Galerie Vollard), 1897

Eugène Samuel Grasset

A work made of watercolor and pen and black ink, over graphite, with touches of scraping, on cream wove paper.

Self-Portrait or Psychological Portrait of the Artist, 1905

Gustave Adolf Mossa

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