Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Painting of a crowd of well-dressed light-skinned people in an open, snowy field surrounded by large rolling hills. At center a woman in a bright-yellow coat and skirt holds the hand of a child in red, who pulls to turn her toward the others.

Love of Winter, 1914

George Wesley Bellows

A work made of oil on canvas.

The Puff of Smoke, 1912

Gifford Beal

A work made of color pochoir with gouache and photolithograph in black (recto); photolithograph in black on ivory wove paper (verso).

Icarus, from Jazz, 1947

Henri Matisse

A work made of glass.

Ale Glass, c. 1685

A work made of glass.

Wine Glass, c. 1750

A work made of black lithographic crayon on cream wove paper.

Untitled, n.d.

Fred Sandback

A work made of colored pencils with graphite on off-white graph paper.

Circle Branch Circle, c. 1967

Alan Saret

A work made of graphite and pen and black ink on cream wove paper.

The Location of a Square, Broken Line, Not-Straight Line, Arc, Straight Line, Trapezoid and Parallelogram, 1976

Sol LeWitt

A work made of black and gray fiber-tipped pens, with traces of graphite, on ivory graph paper.

Ledge, 1970

Siah Armajani

A work made of crayon with scraping on ivory wove paper.

Fire on Water—Film Loop or Slide Projected on Water, 1967

Steven J. Kaltenbach

A work made of graphite and white pressure-sensitive tape on ivory wove tracing paper.

Untitled, 1967

Robert Grosvenor

A work made of graphite, magenta and black fiber-tipped pen on cream wove graph paper.

Metric Percentages: Abstract Comic, 1966

Paul Sharits

A work made of graphite and colored pencils, with touches of pen and blue and black ink on cream graph paper.

Assymmetric Percentages: Abstract Comic, 1966

Paul Sharits

A work made of tempera on panel.

Salome Asking Herod for the Head of Saint John the Baptist, 1455–60

Giovanni di Paolo

A headless figure leans out of the first-floor window of a light-colored stone building from which two iron bars have been detatched, his blood spurting to the ground. A figure bends to collect the head while another looks away to sheath a long sword. From right, a robed man beholds the guesome scene.

The Beheading of Saint John the Baptist, 1455–60

Giovanni di Paolo

A work made of tempera on panel.

The Head of Saint John the Baptist Brought before Herod, 1455–60

Giovanni di Paolo

A work made of tempera on panel.

Saint John the Baptist in Prison Visited by Two Disciples, 1455–60

Giovanni di Paolo

A work made of tempera on panel.

Ecce Agnus Dei, 1455–60

Giovanni di Paolo

A work made of tempera on panel.

Saint John the Baptist Entering the Wilderness, 1455–60

Giovanni di Paolo

A work made of beechwood, painted to simulate rosewood and en grisaille; partly gilded; caned seats and seat cushion not original.

Armchair with Tablet: Putti Drawing, c. 1790/1800

<<<167168169170 >>>