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A work made of transfer lithograph in black with stumping, on cream laid japanese vellum.

The Whitesmiths, Impasse des Carmélites, 1894

James McNeill Whistler

A work made of etching on cream laid paper.

The Artist's Mother Seated at a Table, Looking Right: Three Quarter Length, c. 1631

Rembrandt van Rijn

A work made of etching, drypoint, roulette, and lavis in black on cream laid paper.

Count Robert de Montesquiou-Fezensac, 1894

Henri Charles Guérard

A work made of transfer lithograph in black on cream laid japanese vellum.

Tête-à-tête in the Garden, 1894

James McNeill Whistler

A work made of lithograph, in black ink, with stumping, on cream laid paper.

Draped Model, Standing, 1893, printed posthumously

James McNeill Whistler

A work made of lithograph, in black ink, on cream laid paper.

The Cap, 1893, printed posthumously

James McNeill Whistler

A work made of transfer lithograph in black on cream laid japanese vellum.

Little Draped Figure, Leaning, 1893, printed 1894

James McNeill Whistler

A work made of transfer lithograph in black, with stumping, on ivory laid paper.

Nude Model, Reclining, 1893

James McNeill Whistler

A work made of transfer lithograph in black with stumping, on cream laid paper.

The Pantheon, from the Terrace of the Luxembourg Gardens, 1893

James McNeill Whistler

A work made of transfer lithograph in black with stumping, on cream laid paper.

Conversation under the Statue, Luxembourg Gardens, 1893

James McNeill Whistler

A work made of transfer lithograph in black with stumping, on cream laid paper.

The Steps, Luxembourg, 1893

James McNeill Whistler

A work made of transfer lithograph in black on ivory laid paper.

The Fireplace, 1893

James McNeill Whistler

A work made of transfer lithograph in black on cream laid paper.

The Clock-Makers, Paimpol, 1893

James McNeill Whistler

A work made of transfer lithograph in black with stumping, on cream laid paper.

Gabled Roofs, 1893

James McNeill Whistler

A work made of transfer lithograph in black with stumping, on cream laid paper.

Vitré: The Canal, 1893

James McNeill Whistler

A work made of transfer lithograph from four stones, in black (keystone), green, yellow, and gray, with scraping, on cream wove japanese vellum.

Yellow House, Lannion, 1893

James McNeill Whistler

A work made of transfer lithograph in black on cream laid paper.

Mother and Child, No. 2, 1891, printed 1895

James McNeill Whistler

A work made of transfer lithograph in black on cream japanese paper.

Mother and Child, No. 3, 1891, printed 1895

James McNeill Whistler

A work made of transfer lithograph from five stones, in gray (keystone), blue, green, brown, yellow, orange, red, and ochre on cream japanese gampi paper.

Lady and Child, 1892

James McNeill Whistler

A work made of transfer lithograph in black on cream wove japanese vellum.

Two Trial Sketches: A. Grande Rue, Dieppe; B. An Interior, probably 1891, printed posthumously

James McNeill Whistler

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