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  • Art Institute Chicago
  • Harvard art museum
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A work made of colored pencil and pastel on toned laid paper.

Furniture Designs, Wrought Iron and Canvas Chair, Presentation Drawing, c. 1940s

Henry Peter Glass

A work made of graphite, colored pencil, and crayon on bond paper.

Furniture Designs, Brown Cushioned Wrought Iron and Canvas Three-Seat Sofa, Presentation Drawing, c. 1940s

Henry Peter Glass

A work made of graphite, colored pencil, and crayon on bond paper.

Furniture Designs, Brown Cushioned Wrought Iron and Canvas Love Seat, Presentation Drawing, c. 1940s

Henry Peter Glass

A work made of colored pencil on notebook paper with spiral-binding perforations at top edge.

Furniture Designs, Yellow Chair and Exploded View of Iron Frame, Presentation Drawing, c. 1940s

Henry Peter Glass

A work made of graphite and colored pencil on tracing paper.

Octagon Flexible Office System, Modular Access Electrical Outlet Floor System, Proposal, 1971

Henry Peter Glass

A work made of graphite, colored pencil, and crayon on bond paper.

Furniture Designs, Wrought Iron and Orange Canvas Side Chair, Presentation Drawing, c. 1940s

Henry Peter Glass

A work made of colored pencil and pastel on tan laid paper.

Furniture Designs, Side Chair, Presentation Sketch, 1941

Henry Peter Glass

A work made of colored pencil and pastel on olive laid paper.

Furniture Designs, Side Chair, Presentation Sketch, 1941

Henry Peter Glass

A work made of colored pencil and pastel on tan laid paper.

Furniture Designs, Arm Chair with Animal Hide Print, Presentation Sketch, 1941

Henry Peter Glass

A work made of colored pencil and pastel on tan laid paper.

Furniture Designs, Side Chair, Presentation Sketch, 1941

Henry Peter Glass

A work made of glazed ceramic.

Bowl Fragment with Rosette Emblem, Mamluk dynasty (1250–1517), 14th–15th century

Islamic

A work made of glazed ceramic.

Vessel Fragment with Bird Decoration, Mamluk dynasty (1250–1517), 15th century

Islamic

A work made of glazed ceramic.

Vessel Fragment with Polo Stick Emblem, Mamluk dynasty (1250–1517), 14th–15th century

Islamic

A work made of glazed ceramic.

Bowl Fragment with Arabic Inscription, Mamluk dynasty (1250–1517), 14th–15th century

Islamic

A work made of glazed ceramic.

Vessel Fragment with Fleur-de-lis Emblems, Mamluk dynasty (1250–1517), 14th–15th century

Islamic

A work made of glazed ceramic.

Vessel Fragment, Mamluk dynasty (1250–1517), 14th–15th century

Islamic

A work made of color woodblock print; ōban.

Yamashiro Province: The Togetsu Bridge in Mount Arashi (Yamashiro, Arashiyama Togetsukyo), from the series "Famous Places in the Sixty-odd Provinces (Rokujuyoshu meisho zue)", 1853

Utagawa Hiroshige

A work made of color woodblock print; oban.

Osumi Province: Sakura Island (Osumi, Sakurajima), from the series "Famous Places in the Sixty-odd Provinces (Rokujuyoshu meisho zue)", 1856

Utagawa Hiroshige

A color woodblock print of a white cat with it’s back to us, stares out a window, looking over rooftops, green fields, toward Mt Fuji in the distance. A blue and white bowl and towel sit on the windowsill , on the floor are decorative hair pins.

Asakusa Rice Fields and Torinomachi Festival (Asakusa tanbo Torinomachi mode), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1857

Utagawa Hiroshige

A work made of color woodblock print; ōban.

Shinano Province: The Moon Reflected in the Sarashina Rice Fields near Mount Kyôdai (Shinano, Sarashina tagoto no tsuki, Kyōdaisan), from the series Famous Places in the Sixty-Odd Provinces (Rokujūyoshū meisho zue), 1853

Utagawa Hiroshige

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