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Six-folded screen decorated on the upper level with full-heigh figures representing seasons and parts of the world. The lower band-like level is decorated with an image of a columnar open terrace.

Screen: America (Panel Five), c. 1820

Six-folded screen decorated on the upper level with full-heigh figures representing seasons and parts of the world. The lower band-like level is decorated with an image of a columnar open terrace.

Screen: Europe (Panel Two), c. 1820

Six-folded screen decorated on the upper level with full-heigh figures representing seasons and parts of the world. The lower band-like level is decorated with an image of a columnar open terrace.

Screen: Africa (Panel Four), c. 1820

A work made of cotton, plain weave; block printed.

Panel (Dress or Furnishing Fabric), c. 1925

Josef Hillerbrand

A close-up view of five hickory leaves in vivid yellow, a white daisy in the lower middle portion, on a white background.

Yellow Hickory Leaves with Daisy, 1928

Georgia O'Keeffe

Print of a woman in a blue, patterned dress, seated at a desk and licking an envelope closed.

The Letter, 1890–91

Mary Cassatt

Print in tan, brown, and gray of a woman by a mirror in a cream dress while another kneels, tending to her hem.

The Fitting, 1890–91

Mary Cassatt

Half-disrobed woman viewed from behind washes in a basin in front of a vanity mirror. The rug and pitcher to her left both have a graphic floral motif.

Woman Bathing, 1890–91

Mary Cassatt

A work made of tin-glazed earthenware (faience).

Plate, 18th century

A work made of tin-glazed earthenware.

Dish, c. 1700

Frankfurt-am-Main Pottery

A work made of tin-glazed earthenware (faience).

Plate, c. 1700

A work made of tin-glazed earthenware (faience).

Plate, 1680/1700

A work made of tin-glazed earthenware (faience).

Bowl, c. 1700

Frankfurt-am-Main Pottery

A work made of tin-glazed earthenware (delft).

Covered Bowl, c. 1700

A work made of tin-glazed earthenware (faience) and metal mount.

Cider Jug, c. 1760

A colored print of two women in dresses, one with a child, with bus windows revealing a bridge behind them.

In the Omnibus, 1890–91

Mary Cassatt

Apples, Pears

Apples, Pears, 1980

Malcolm Morley

Demolition–Butte des Moulin

Demolition–Butte des Moulin, c. 1876

Paul Renouard

Burpee Seed Collages

Burpee Seed Collages, 1962

George Herms

Burpee Seed Collages

Burpee Seed Collages, 1962

George Herms

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