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A rough perspective sketch of the interior of a church with a cross on the back wall and abstract lines for pews, with a red marking of "2."

Capuchinas Sacramentarias del Purismo Corazon de Maria Chapel, Mexico, Sketch, c. 1955

Luis Barragán

A work made of ink on drawing paper.

Double House for Mr. Straus, Perspective View, 1883

Adler & Sullivan, Architects

A work made of pencil on paper mounted on illustration board.

World's Columbian Exposition Buildings, Chicago, Illinois, Elevation Sketch, c. 1890

John Wellborn Root

A work made of pencil on tracing paper.

T. Eaton Department Store, Toronto, Canada, Interior Perspective, 1912

D.H. Burnham & Co.

A work made of pencil on tracing paper.

Joseph Ricker House, Chicago Illinois, Perspective Sketch, c. 1925

Alexander Spitz

A work made of pencil on white tracing paper.

Apartment Building Project, Chicago, Illinois, Floor Plan and Schedules, 1956

Daniel Brenner

A work made of graphite on heavy drawing paper.

Palmolive Building, Chicago, Illinois, Elevator Cab Interior Bas Relief Designs, c. 1930

Enrique Alférez

A work made of black and red ink on draughting linen.

Standard Club Addition and Alterations, First Floor Plan, 06/21/1892

Adler & Sullivan, Architects

A work made of ink on linen.

Schiller Building Rental Plans, Chicago, Illinois, Plan, c. 1891–1893

Adler & Sullivan, Architects

A work made of graphite on tracing paper.

First National Bank, Forest City, Iowa, Elevation, 1914

Parker Noble Berry

A work made of black and red ink on draughting linen.

Standard Club Addition and Alterations, Elevations, 02/21/1892

Adler & Sullivan, Architects

A work made of graphite on 1000h clearprint white tracing paper.

Horowitz Restaurants, Chicago, Ilinois, Interior Perspective, c. 1965–1966

Brenner-Danforth-Rockwell, Architects

A work made of graphite on tracing paper.

Lincoln State Bank Proposal, Chicago, Illinois, Front Elevation, November 19, 1912

Parker Noble Berry

A work made of black and red ink on linen.

Marshall Field & Company Model Factory, Chicago, Illinois, Roof Plan, c. 1900–1905

D.H. Burnham & Co.

A work made of graphite and colored pencil on paper.

House in Chicago, Design Drawings, c. 1992–1998

Tadao Ando

A work made of black and red ink on linen.

Marshall Field & Company Model Factory, Chicago, Illinois, Upper Stories Plan, c. 1900–1905

D.H. Burnham & Co.

A work made of black and red ink on linen.

Marshall Field & Company Model Factory, Chicago, Illinois, Basement Plan, c. 1900–1905

D.H. Burnham & Co.

A sepia-tones aerial plan drawing of a park with trees cut by roads and nonlinear paths, confined by less detailed gridded blocks.

Plan of Chicago, Plate 63, Plan of a Proposed Park, 1909

Daniel Hudson Burnham

An aerial site plan drawing of a park with trees and various nonlinear paths, confined by less-detailed gridded blocks.

Plan of Chicago, Plate 62, Plan of a Proposed Park, 1909

Daniel Hudson Burnham

A work made of photostat print on paper.

Congress Street, Proposed Development between the Lake and the River, Chicago, Illinois, Bird's Eye View Presentation Drawing, 1929

Bennett, Parsons and Frost

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