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A work made of pen and brown ink, with brush and gray wash, over black chalk, on ivory laid paper, laid down on cream laid paper.

Landscape along a River, n.d.

Michel Ange Houasse

A work made of pen and brown ink, with brush and brown wash and black chalk, heightened with touches of white chalk, on grayish-tan laid paper, laid down on cream laid paper.

Venus and Adonis, n.d.

Louis Chéron

A work made of red chalk, on buff laid paper, laid down on cream laid paper.

Birth of Venus, n.d.

Michel Ange Corneille

A work made of pen and brown ink, with brush and gray wash, and traces of graphite, on ivory laid paper, laid down on cream laid paper.

Landscape with an Old Castle, n.d.

Michel Ange Houasse

A work made of black chalk, heightened with white chalk, on greenish-blue laid paper, perimeter mounted on cream laid paper.

Cavalry Fight, n.d.

Follower of Jacques Courtois

A work made of red chalk, on ivory laid paper.

Dock Scene (recto); Two Sketches of Male Figures (verso), 1660/64

Guillaume Courtois

A work made of counterproof of a red chalk drawing on buff laid paper, laid down on cream laid paper.

Pietà, c. 1750-1800

Louis Jean François Lagrenée, I

A work made of pen and brown ink, over traces of black chalk (recto) and graphite (verso) on ivory laid paper.

Aeneas in the Elysian Fields (recto); Sketches of Groups of Figures (verso), n.d.

Raymond de Lafage

A work made of black chalk, heightened with white chalk, on brown laid paper, laid down on cream laid card.

Study for Saint Louis Healing the Sick, c. 1654

Eustache Le Sueur

A work made of pen and grayish-black ink, and brush and gray wash, on cream laid paper, laid down on buff board.

Plymouth Harbor, n.d.

Claude Joseph Vernet

A work made of pen and brown ink and brush and brown wash, on tan laid paper, laid down on cream laid paper.

Design for a Stained Glass Window with the Story of Aaron, n.d.

Jean Cousin, the younger

A work made of black chalk and brush and black gouache, heightened with white chalk and lead white (discolored), on blue laid paper, laid down on ivory laid paper.

Gentleman's Portrait, 1698

Hyacinthe Rigaud

A work made of black chalk, heightened with white chalk, on blue laid paper.

Partridge, n.d.

Jean-Baptiste Oudry

A work made of brush and brown ink and wash, possibly over charcoal, on ivory laid paper, laid down on blue wove paper.

Mary as Queen of Heaven or Apotheosis of Saint, n.d.

Antonio Balestra

A work made of black chalk on tan laid paper discolored to dark tan.

Marsh and Screen of Trees, n.d.

Charles François Daubigny

A work made of black crayon and brush and gray wash, with black chalk, heightened with white chalk, on brown laid paper, laid down on cream laid paper.

Presentation of the Virgin, n.d.

François Verdier

A work made of pen and brown ink, with brush and gray wash, over traces of black chalk, on ivory laid paper, pieced and laid down on cream laid paper.

Pope Visiting Construction Site of a Bridge, n.d.

Ciro Ferri

A work made of pen and brown ink with brush and gray wash, over traces of black chalk, on tan laid paper.

Prometheus Taking Fire From Olympus, n.d.

Cigoli

A work made of pen and brown ink, with brush and brown wash, heightened with lead white (partly discolored), over black chalk, squared in brown ink, on blue laid paper, laid down on tan laid paper.

Martyrdom of a Saint Interrupted by Justice, n.d.

Pupil of Charles Joseph Natoire

A work made of pen and brown ink, over black chalk, squared in black chalk, on pink tinted laid paper, pieced and laid down on ivory laid paper.

Erminia and the Shepherds, n.d.

School of Francesco Solimena

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