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A work made of etching on ivory chine collé on off-white wove paper.

Homage, plate six from A Glove, 1881

Max Klinger

A work made of etching on ivory chine collé on off-white wove paper.

Triumph, plate five from A Glove, 1881

Max Klinger

A work made of etching and aquatint on ivory chine collé on off-white wove paper.

Cupid, plate ten from A Glove, 1881

Max Klinger

A work made of etching and aquatint on ivory chine collé on off-white wove paper.

Abduction, plate nine from A Glove, 1881

Max Klinger

A work made of etching on ivory chine collé on off-white wove paper.

Repose, 1881

Max Klinger

A work made of soft varnish ("vernis mou") etching, drypoint and roulette in brownish-red on cream wove paper.

Frontispiece to Les baisers morts, 1893

Félicien Rops

A work made of etching and aquatint on ivory chine collé on off-white wove paper.

Wishes, plate three from A Glove, 1881

Max Klinger

A work made of etching and aquatint in dark brown and reddish-orange ink on lightweight off-white wove paper, laid down on heavy off-white wove plate paper.

Abandoned, plate five from A Life, 1884

Max Klinger

A work made of pastel over lithograph in black ink with additions in crayon and graphite on cream wove canson & montgolfier paper.

Christ Among His Tormentors, 1894–98

Henri de Groux

A work made of various charcoals, with wiping, stumping, erasing, and incising, on cream wove paper altered to a golden tone.

Faust and Mephistopheles, 1880

Odilon Redon

A work made of etching and aquatint in black ink on ivory wove paper, laid down on ivory wove plate paper (chine collé).

The Isle of the Dead, 1890

Max Klinger

A work made of graphite with stumping, scratching and erasing on off-white wove paper, prepared with a white gouache ground (scratchboard).

The Greatest Love of Don Juan, 1879

Félicien Rops

A work made of etching, aquatint and burnishing in black ink on ivory wove paper.

Night, from On Death Part I, 1888–89

Max Klinger

A work made of etching, soft ground etching, and aquatint, with drypoint, on cream wove paper.

Inspiration, 1908

Käthe Kollwitz

A work made of pen and black ink over graphite on cream japanese paper.

Judith with the Head of Holofernes, 1904

Alfred Kubin

A work made of watercolor and pen and black ink, over graphite, with touches of scraping, on cream wove paper.

Self-Portrait or Psychological Portrait of the Artist, 1905

Gustave Adolf Mossa

A work made of color transfer lithograph from three stones on grayish-ivory china paper.

Silence, 1894/97

Henri Martin

A work made of india ink, color pencil, pastel, and colored chalk on paper, mounted on canvas.

Self-Portrait on a Blue Background, 1907

Léon Spilliaert

A painting in loose brushstrokes of a seated light-skinned woman wearing black viewed in partial profile, mostly from behind. She sits in an upholstered wooden chair beside a small white table, the expanse of a multicolor but largely red rug spread out before and around her.

Madame Arthur Fontaine (Marie Escudier Fontaine) in a Pink Shawl, c. 1904-05

Édouard Jean Vuillard

A work made of lithograph on mounted cream china paper.

Vision, plate eight from In Dreams, 1879

Odilon Redon

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