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A work made of hand-colored woodblock print; habahiro hashira-e, urushi-e.

Shoki, the Demon Queller, c. 1745

Okumura Masanobu

A woodblock print featuring a wooden bridge on stilts elevated high above a body of shallow water on which floats a long flat boat. At shore, a figure bends over in the water and tends to a horse.

Okazaki: Yahagi Bridge on the Yahagi River (Okazaki, Yahagigawa Yahagi no hashi), no. 39 from the series "Famous Sights of the Fifty-three Stations (Gojusan tsugi meisho zue)," also known as the Vertical Tokaido, 1855

Utagawa Hiroshige

A work made of oil on hemp cloth.

Conjunction 81-79, 1981

Chong-Hyun Ha

A work made of oil on hemp cloth.

Conjunction 79–31, 1979

Chong-Hyun Ha

A work made of gourd, wire, cloth, glass beads, and hair.

Pair of Figures, 20th century

Nyamwezi

A work made of parchment, ink, tempera, wood, leather, cotton, and string.

Bound Manuscript: The Miracles of Mary (Te'amire Maryam), Late 17th century

A work made of pine, plywood, galvanized iron pipe and fittings, faucet handle, cast-lead soldier, aluminum alkyd enamel, and wheels.

Angry Young Machine, 1959

H. C. Westermann

A work made of wood, horn, quills, and sacrificial material.

Helmet Mask (Kono Kun), Early to mid-20th century

Bamana

A poster, the top half pink and the bottom half black, reads in all caps, "Art Against AIDS." These words are stack on top of one another in the center of the page, with "Art" in black at top in the pink field; "Against" straddling the two fields, the top half of each letter in white and the bottom in black; and "AIDS," in white lettering, below in the black field. Information about the "Art Against AIDS" initiative is at top in tiny black letters, and a list of participating galleries is at bottom in tiny pink letters.

Art Against Aids Poster, 1987

Dan Friedman

An architectural model of a building made up of white composite forms resembling rhythmic skeletal fragments on a clear base.

Sur, Long Island City, New York, 2005

Hernán Díaz Alonso

Print of woman with distorted and exaggerated features holding handkerchief to face.

Weeping Woman I, July 1, 1937

Pablo Picasso

A work made of stoneware with matte white glaze.

Blossoming (Saku), 2014

Satoko Fujikasa

A work made of woodcut in black on cream japanese paper.

Untitled, 1966, printed 2016

Martin Puryear

A work made of sandstone.

Buddha with Attendants on Mythical Animal, Dvaravati period, 7th‒8th century

Pre-Angkorean

A work made of offset lithograph, from the portfolio "time exposed" (1991).

Ionian Sea, Santa Cesarea, 1990, printed 1991

Hiroshi Sugimoto

A work made of guest book with autographs and drawings by various artists, writers, scientists, etc.; cream wove paper, leather bound.

Guest Book of Mrs. Gilbert W. Chapman (II), January 17, 1944–December 3, 1969

A work made of oil on canvas.

Bad Times, 1970

Philip Guston

A work made of guest book with autographs and drawings by various artists, writers, scientists, etc. on cream laid paper in leather binding.

Guest book of Mrs. Gilbert W. Chapman, June 2, 1934–December 31, 1944

A work made of book with 12 etchings hors-texte, 67 wood engravings, and crayon, with black morocco binding.

Le Chef-d'oeuvre inconnu (The Unknown Masterpiece), published 1931, reworked late 1950s

Pablo Picasso

Painting depicting Christ anointed by a woman in yellow, seated centrally at a crowded table of guests with long thin grayish faces in colorful robes with strong white highlights. In the background, tall grey archways, a steepled building, and city architecture.

The Feast in the House of Simon, c. 1608–14

El Greco (Doménikos Theotokópoulos) and workshop

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