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Untitled, Pt. Lobos

Untitled, Pt. Lobos, 1984

Robert Stiegler

A work made of vintage gelatin silver print.

Dimmitt Chair, date unknown

Yasuhiro Ishimoto

A work made of gelatin silver prints.

Texture Study, Student Project, Institute of Design, Chicago, Illinois, Late 1940s

Art Sinsabaugh

A work made of gelatin silver print.

Texture Study, Student Project, Institute of Design, Chicago, Illinois, Late 1940s

Art Sinsabaugh

A work made of gelatin silver print.

Texture Study, Student Project, Institute of Design, Chicago, Illinois, Late 1940s

Art Sinsabaugh

A work made of gelatin silver print.

Texture Study, Student Project, Institute of Design, Chicago, Illinois, Late 1940s

Art Sinsabaugh

A work made of gelatin silver print.

Texture Study, Student Project, Institute of Design, Chicago, Illinois, Late 1940s

Art Sinsabaugh

A work made of gelatin silver print.

Texture Study, Student Project, Institute of Design, Chicago, Illinois, Late 1940s

Art Sinsabaugh

A work made of gelatin silver print.

Untitled, 1950

Saul Steinberg

A work made of gelatin silver print.

Untitled, 1950

Saul Steinberg

A work made of gelatin silver print.

New York, c. 1940

Helen Levitt

A work made of gelatin silver print.

New York, c. 1942, printed later

Helen Levitt

A work made of gelatin silver print.

The World's Fair: the Pavillon Bleu (restaurant), Paris, 1900

Emile Zola

A work made of aristotype print.

The World's Fair: overview of the fair The Celestial Globe with the Maréoram and the Panorama Transatlantique, Paris, 1900

Emile Zola

A work made of wax on glass.

Saint Bound to a Tree (Saint Afra?), 1600/25

Florentine

In vivid shades of red, orange, yellow, blue, and green, a grouping of row houses sits before an open expanse of land and winding, leafless trees. Everything is multicolored and outlined in thick strokes of deep blue. A figure bends down near a path.

Houses at Chatou, c. 1905

Maurice de Vlaminck

Oil painting in cartoon style of gigantic, close-up brushstroke of paint, blue spatter.

Brushstroke with Spatter, 1966

Roy Lichtenstein

A work made of oil on linen.

Untitled, c. 1938–41

Jackson Pollock

A work made of aluminum.

Miss Expanding Universe, 1932

Isamu Noguchi

Abstract painting with dominant red, yellow, and blue tones. Densely commingled forms, many outlined in black or brown strokes, fill the canvas.

The Key, 1946

Jackson Pollock

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