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A work made of etching on cream wove paper.

Peat Boat on the Hamme River, 1895

Hans Ende

A work made of cloth portfolio cover, title page with etching on cream wove paper (by vogeler) and letterpress, and colophon page with letterpress.

Portfolio, title page and colophon for Vom Weyerberg, 1895

Heinrich Vogeler

A work made of zip-a-tone and marker on paper.

Health Sciences Center, Stony Brook, New York, Site Plan Study, 1968

Bertrand Goldberg

A work made of watercolor and graphite on lightweight, slightly textured, off-white wove paper.

West Street, New York, 1910

John Marin

A work made of watercolor with re-wetting and blotting on lightweight, slightly textured, off-white wove paper, pieced.

Building, 1910

John Marin

A work made of watercolor and graphite on lightweight, smooth, tan wove paper (right and lower edges trimmed).

New York Skyline, Boats in Foreground, c. 1910

John Marin

A work made of watercolor with rewetting and blotting, and graphite, on lightweight, slightly textured, off-white wove paper, laid down on ivory wove card.

Street Scene, 1910

John Marin

A work made of watercolor with blotting, on lightweight, moderately textured, ivory wove paper, laid down on white wove paper (left edge trimmed).

Buildings, 1910

John Marin

A work made of watercolor with graphite on lightweight, smooth, cream wove paper, discolored to tan, laid down on white wove card (top and lower edges trimmed).

New York with View of the Flatiron Building, 1910

John Marin

A work made of watercolor with blotting, wiping and scraping, on lightweight, slightly textured, ivory wove paper (top, right and left edges trimmed), laid down on white card.

West Shore Docks, Weehawken, New Jersey, 1910

John Marin

A work made of watercolor with touches of blotting, over traces of graphite, on lightweight, moderately textured, ivory wove paper, laid down on off-white wood-pulp laminate board.

Mills and Footbridge, Meaux, 1908

John Marin

A work made of watercolor with wiping, scraping, and blotting, and graphite with charcoal, on lightweight, smooth, cream wove paper (left and lower edges trimmed), laid down on white wove card.

Skyline with Boats in Foreground, 1910

John Marin

A work made of watercolor with opaque watercolor, rewetting and touches of blotting, on lightweight, slightly textured, off-white wove paper, laid down on white wove paper.

Weehawken, New Jersey, 1910

John Marin

A work made of watercolor with blotting, over graphite, on lightweight, slightly textured, off-white wove paper, laid down on ivory wove card.

Buildings, c. 1910

John Marin

A work made of watercolor with rewetting, blotting, wiping, and scraping, on moderately thick, rough, off-white wove paper (all edges trimmed).

Tree and Mountain Forms, Delaware River Country, 1916

John Marin

A work made of watercolor with blotting and rewetting, on lightweight, slightly textured, off-white wove paper (top and lower edges trimmed).

Spring (Montbarbin), 1909

John Marin

A work made of watercolor with blotting and scraping, over graphite, on medium-weight, moderately textured, ivory wove paper (all edges trimmed), laid down on wood-pulp laminate board.

Buildings, One with Tower, 1910

John Marin

A work made of watercolor and graphite on lightweight, moderately textured, off-white wove paper.

Saint Paul's, with Other Buildings, 1911

John Marin

A work made of graphite on lightweight, smooth, tan wove paper, laid down on ivory wove card (all edges trimmed).

Pedestrians on Brooklyn Bridge, 1920/29

John Marin

A work made of graphite with erasing on lightweight, slightly textured, ivory wove paper (top edge trimmed).

Buildings, 1917

John Marin

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