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A work made of porcelain painted in underglaze blue.

Pear-Shaped Vase, Qing dynasty (1644–1911), Kangxi period (1662–1722)

A work made of porcelain with mirror black glaze.

Globular Coupe, Qing dynasty (1644–1911)

A work made of porcelain with ruby pink glaze.

Bowl with Foliate Rim, Qing dynasty (1644–1911), Yongzheng mark and period (1722-35)

A work made of porcelain with "camellia leaf" green glaze.

Bottle-Shaped Vase, Qing dynasty (1644–1911)

A work made of stoneware with famille-rose enamel decoration.

Bowl with Flowers, Qing dynasty (1644–1911)

A work made of porcelain painted in underglaze blue.

Plate with Figures on a Boat, Qing dynasty (1644-1911), Kangxi period (1662-1722), with spurious Hongwu reign mark

A work made of porcelain painted in overglaze famille rose enamels.

Bowl with Medallions of Butterflies, Peonies, Chrysanthemums, Peaches, Plums and Orchids, Qing dynasty (1644–1911), Yongzheng mark and period (1723–35) , overglaze painting perhaps added later

A work made of dehua ware (blanc de chine); porcelain.

Seated Guanyin, Qing dynasty (1644–1911), 19th century

A work made of porcelain painted in underglaze blue.

Bowl with Sprays of Pomegranate and Peaches, Qing dynasty (1644–1911)

A work made of wool, spanish knots on plain weave ground.

Carpet, 1450-1500

A work made of collage of cut printed wove papers and white and black opaque watercolor on laminated boards, with scraping.

Untitled (Portrait of Bill Wilson), c. 1968

Ray Johnson

A work made of pigment on cloth.

Painted Banner (Thangka) of Shantarakshita (725-788 CE), an Indian Buddhist Scholar, Included with a Seven Thangka Set of the Sixteen Arhats (Elders), 19th century

A work made of mezzotint and etching in brown on ivory wove paper.

Rispah, plate 46 from Liber Studiorum, published April 23, 1812

Joseph Mallord William Turner

A work made of mezzotint and etching in brown on ivory paper.

Crypt of Kirkstall Abbey, plate 39 from Liber Studiorum, published February 11, 1812

Joseph Mallord William Turner

A work made of mezzotint and etching in brown on ivory wove paper.

From Spenser's Fairy Queen, plate 36 from Liber Studiorum, published June 1811

Joseph Mallord William Turner

Study for Still Life #9

Study for Still Life #9, 1962

Tom Wesselmann

A work made of mezzotint and etching in brown on ivory wove paper.

Little Devil's Bridge, plate 19 from Liber Studiorum, published March 29, 1809

Joseph Mallord William Turner

A work made of mezzotint and etching in brown on ivory paper.

Inverary Castle and Town, plate 65 from Liber Studiorum, published January 1, 1816

Joseph Mallord William Turner

A work made of gelatin silver print.

Joseph Cornell, 1932/34

Lee Miller

A work made of collage of cut colored, printed, coated, and painted papers, with brush and pink ink, yellow wax, and touches of graphite, on board.

Untitled (Toad/Water), c. 1955-57

Ray Johnson

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