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A work made of opaque watercolor over graphite on paper.

Design for Printed Textile, 1929/34

Fredrica Justina Staack

A work made of opaque watercolor over graphite on paper.

Design for Printed Textile, 1929/34

Fredrica Justina Staack

A work made of opaque watercolor over graphite on paper.

Design for Printed Textile, 1929/34

Fredrica Justina Staack

A work made of opaque watercolor over graphite on paper.

Design for Printed Textile, 1929/34

Fredrica Justina Staack

A work made of opaque watercolor over graphite on paper.

Design for Printed Textile, 1929/34

Fredrica Justina Staack

A work made of opaque watercolor over graphite on paper.

Design for Printed Textile, 1929/34

Fredrica Justina Staack

A work made of opaque watercolor over graphite on paper prepared with opaque watercolor.

Design for Printed Textile, 1929/34

Fredrica Justina Staack

A work made of gelatin silver print.

Untitled, c. 1950

Pim Van Os

A work made of glass.

Tazza, 1918–30

Steuben Division, Corning Glass Works

A work made of gelatin silver print.

Film Movement, Akeley Camera, New York, 1922

Paul Strand

A work made of gelatin silver print.

Aerial Bombs Dropping on Montmedy, 1918

Edward Steichen

A work made of graphite on paper.

Proposed Motor Hotel, Dayton, Ohio, Perspective, c. 1963

Milton Meyer Schwartz

A work made of oil on canvas.

Girl in Yellow and Blue with Guitar, 1939

Henri Matisse

A work made of bronze and nickel.

Abstract Figure, 1921/23

Oskar Schlemmer

A work made of oil on canvas.

Lemons on a Pewter Plate, 1926

Henri Matisse

Painting of woman, arms crossed on brown desk, staring at goldfish.

Woman before an Aquarium, 1921–23

Henri Matisse

A work made of oil on canvas.

Woman on Rose Divan, 1921

Henri Matisse

A work made of oil on canvas.

Laurette with a Cup of Coffee, 1916–17

Henri Matisse

A work made of colored pencils and scraping, with graphite, charcoal, conté crayon, and additions in colored chalk and watercolor, selectively fixed, with cut and pasted elements, on 51 sheets of ivory wove paper (discolored to cream), joined, and formerly laid down on canvas.

The Temptation of Saint Anthony, 1887

James Ensor

A work made of etching from a copper plate, on buff laid paper.

The Entry of Christ into Brussels, 1898

James Ensor

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