Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of watercolor and gouache on paper.

Michigan Summer Days, Date unknown

Ivan Albright

A work made of watercolor with touches of gouache on white wove paper.

Exterior, 1963

Robert Barnes

A work made of watercolor with blotting, wiping and traces of scraping, and with brush and black ink, graphite, fabricated charcoal, and touches of opaque watercolor on medium-weight, rough-textured, off-white wove paper (four edges trimmed).

Approaching Fog, 1952

John Marin

A work made of engraving on ivory laid paper (discolored to cream), cut, with etching on ivory laid paper components, laid down on letterpress printed ivory laid paper, and mounted onto cream wove paper.

Third Vision, from Mirrors of the Microcosm, 1613

Lucas Kilian

A work made of engraving on ivory laid paper, cut, with etching on ivory laid paper components, laid down on letterpress printed ivory laid paper, and mounted onto cream wove paper.

Second Vision, from Mirrors of the Microcosm, 1613

Lucas Kilian

A work made of engraving on ivory laid paper (discolored to buff), cut, with etching on ivory laid paper components, laid down on letterpress printed ivory laid paper, and mounted onto cream wove paper.

First Vision, from Mirrors of the Microcosm, 1613

Lucas Kilian

A work made of engraving on ivory laid paper.

The Anatomical Lesson of Professor Pauw, 1615

Jacques de Gheyn, II

A work made of portfolio cover.

Portfolio Cover, from Images from a Locked Ward, 1965

Michael Mazur

A work made of color mezzotint, with touches of engraving on cream laid paper, varnished.

Cranial Dissection, plate five from Myologie complete, 1748

Jacques Fabien Gautier d'Agoty

A work made of color mezzotint with touches of engraving on cream laid paper, varnished.

Neck and Face Muscles, plate three from Myologie complete, 1746

Jacques Fabien Gautier d'Agoty

A work made of color mezzotint, aquatint, and engraving on ivory laid paper.

Posterior View of Muscle Man, plate nine from Myologie complete, 1773

Arnauld Éloi Gautier d'Agoty

A work made of aquatint with etching from one plate in brown ink on ivory wove paper.

Plate III, from Fifth Stone, Sixth Stone, 1967–68

Lee Bontecou

A work made of aquatint with etching from one plate in black ink on ivory wove paper.

Plate I from Fifth Stone, Sixth Stone, 1967–68

Lee Bontecou

A work made of graphite, yellow pencil, and collage of cut-and-tipped color photograph on cream wove hotel stationery.

Untitled (The American Hotel), 1992

Martin Kippenberger

A work made of black fiber-tipped pen and colored pencils on ivory wove hotel stationery, with commercially printed green ground.

Untitled (Hotel Geisler), 1992

Martin Kippenberger

A work made of graphite, graphic art transfer tape, and collage of fortune cookie fortunes on ivory wove hotel stationery.

Untitled (Tokyo Hilton), 1992

Martin Kippenberger

A work made of colored pencils and graphite on white wove hotel stationery.

Untitled (Hirschbergerhof), 1992

Martin Kippenberger

A work made of collage of color photographs, graphite, and colored pencil on white wove hotel stationery.

Untitled (Tokyo Hilton), 1992

Martin Kippenberger

A work made of graphite on ivory wove hotel stationery.

Untitled (Hotel Okura), 1992

Martin Kippenberger

A work made of drypoint on ivory laid paper.

Two Cats on a Cushion, 1914

Théophile-Alexandre Pierre Steinlen

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