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A work made of graphite on tracing paper.

Joe and Etsuko Price House and Gallery, Bartlesville, Oklahoma, Plan, 10/26/66

Bruce Goff

A work made of graphite on tracing paper.

Bruce Goff Studio, Berkeley, California, Sections, c. 1945

Bruce Goff

A work made of graphite on tracing paper.

Joe and Etsuko Price House and Gallery, Bartlesville, Oklahoma, Elevation, 10/26/66

Bruce Goff

A work made of transparent watercolor, heightened with opaque white watercolor, with rewetting, blotting, and scraping, over graphite, on moderately thick, slightly textured, cream wove paper.

Netting the Fish, 1889

Winslow Homer

A work made of paper.

Beck's Futures 2005, 2005

Kirsty Carter

A work made of graphite on paper.

Camp Parks: Entrance Gate, 1944

Bruce Goff

A work made of ink and colored pencil on yellow tracing paper.

Twenty North Michigan Avenue Remodeling, Chicago, Illinois, Entrance Floor Plan, 1983

Nagle Hartray and Associates

A work made of ink and colored pencil on yellow tracing paper.

Twenty North Michigan Avenue Remodeling, Chicago, Illinois, Elevation, 1983

Nagle Hartray and Associates

Joruri Monogatari

Joruri Monogatari, 17th century

Isawa Matabei

A work made of bamboo.

Peony Basket, 19th century

A work made of hanging scroll, ink on paper.

The Poet Du Fu Riding a Donkey, Early 17th century

Kanô Shigenobu

Red silk with plant inspired design in green, white, and yellow.

Fragment, Nasrid dynasty (1230–1492), late 15th century

A work made of silk and gilt-animal-substrate-wrapped silk; satin weave with secondary binding warps and supplementary patterning wefts.

Fragment with Nasrid Coat of Arms, Nasrid Dynasty (ruled 1232–1492), about 1400

A work made of silk and gilt-metal-strip-wrapped silk; satin weave with secondary binding warps and supplementary patterning wefts.

Fragment, 15th century

A work made of silk and gilt-animal-substrate-wrapped linen, bands of plain weave; of plain weave self-patterned by main warp and ground weft floats; and of two and three color complementary weft weave.

Probably a Fragment from a Garment of Don Felipe, 1275-1300

A work made of silk, warp-float faced 4:1 satin weave with plain interlacings of secondary binding warps and supplementary patterning wefts.

Fragment, Nasrid Dynasty (ruled 1232–1492), 15th century

A work made of silk and gilt-animal-substrate-wrapped silk, three-color complementary weft plain weave with inner warps.

Fragment from the Mantle of Don Felipe, Late 13th century

A work made of silk, warp-float faced 4:1 satin weave with plain interlacings of secondary binding warps and supplementary patterning wefts.

Fragment, Nasrid Dynasty (ruled 1232–1492), 15th century

A work made of color woodblock print; oban.

The Courtesan Toji of the Ogiya with Her Attendants Satoji and Uraji, from the series "Models for Fashion: New Designs as Fresh as Young Leaves (Hinagata wakana no hatsu moyo), 1784

Torii Kiyonaga

A work made of silk and gilt-animal-substrate-wrapped silk, bands of plain weave with inner warps and complementary weft plain weave with inner warps.

Fragment from the Mantle of Don Felipe, 1275-1300

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