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A work made of gelatin plate with incised lines and traces of red ink.

Trial Plate for Nine O'Clock A.M., 1919–20

Theodore Roussel

A work made of soft ground etching in black on cream japanese paper.

Buoyant Sea, 1919

Theodore Roussel

A work made of etching in black on ivory laid paper.

The Steam Launch, Chelsea Embankment, 1888–89

Theodore Roussel

A work made of soft ground etching, inked à la poupée, in yellowish green and greenish blue on ivory laid paper.

The Sea at Bognor, 1895

Theodore Roussel

A work made of lithographic crayon on fine-grained transfer paper.

Standing Figure in a Chinese Gown, 1890–94

Theodore Roussel

A work made of softground etching in black ink on ivory laid paper.

The Sea at Bognor, 1895

Theodore Roussel

A work made of drypoint in black on cream wove paper.

Nine O'Clock A.M., 1919–20

Theodore Roussel

A work made of transfer lithograph from five stones, in black (keystone), bluish-green, olive green, yellowish green, yellow, purple-brown, pale ochre, orange-red, and rose on ivory laid paper.

Draped Figure, Reclining, 1892

James McNeill Whistler

A work made of softground etching, inked à la poupée, on ivory laid paper.

The Sea at Bognor, 1895

Theodore Roussel

A work made of color soft ground etching, inked à la poupée, with inkless intaglio on ivory laid paper.

The Sea at Bognor, 1895

Theodore Roussel

A work made of color monotype on ivory laid paper.

The Sea at Bognor, 1895

Theodore Roussel

A work made of soft ground etching, inked à la poupée, in yellowish green and greenish blue on ivory laid paper.

The Sea at Bognor, 1895

Theodore Roussel

A work made of color print from thirteen textile plates, with stencil, on ivory wove paper.

L'Oublié, 1920–22

Theodore Roussel

A work made of gouache on cream laid paper, discolored to tan.

Sketch for L'Oubilé, c. 1920–22

Theodore Roussel

A work made of color print from three textile plates on off-white wove paper.

The Little Cloud, 1923

Theodore Roussel

A work made of etching and soft ground in yellow-brown metallic and black on ivory laid paper.

Stag and Flower Pattern Frame (top frame section), 1897–99

Theodore Roussel

A work made of brush and black ink, gold metallic ink, and watercolor on semi-transparent tan wove paper.

Untitled Drawing for Frame Cartouche (Salamander), 1899/1908

Theodore Roussel

A work made of brush and black ink on semi-transparent tan wove paper.

Untitled Drawing for Frame Cartouche (Plant Motif), 1899/1908

Theodore Roussel

A work made of pen and brush and black ink, with graphite and traces of white gouache on semi-transparent yellowish brown wove paper.

Design for a Frame, 1899–1908

Theodore Roussel

A work made of drypoint, aquatint, softground and lavis in blue-green and yellow-brown metallic on ivory japanese paper.

Mount for Last Poppies, 1897–99

Theodore Roussel

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