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A work made of charcoal, with stumping, scraping and erasing, heightened with white gouache, on dark cream wove paper with inclusions.

Venus Disarming Cupid, 1852/57

Jean Baptiste Camille Corot

A work made of pen and brown ink and brush and brown wash, with touches of brush and orange watercolor, over black chalk, on ivory laid paper, prepared with a white gouache ground, laid down on grayish-ivory laid card.

Punchinello's Mistress Faints, 1790–1801

Giovanni Domenico Tiepolo

A work made of pen and black ink with brush and gray wash, on ivory laid paper, pieced at bottom and laid down on tan wove paper, laid down on cream laid paper.

A Peasant Seated in a Shed, 1800/09

Jean Jacques de Boissieu

A work made of watercolor, with black chalk, on ivory laid paper, laid down on tan board.

Antibes, 1907

Henri Edmond Cross

A work made of black chalk on cream laid paper.

Farm Courtyard, c. 1750

François Boucher

A work made of red, black, and white chalk, with stumping, on light brown laid paper, laid down on cream laid paper.

Hercules Seated, study for Hercules and Omphale, 1724

François Le Moyne

A work made of watercolor and gouache, over black chalk, on ivory laid paper, laid down on off-white laid paper.

An Artist Adoring a Statue of Virtue, 1783

Claude Jean Baptiste Hoin

A work made of opaque watercolor, over traces of black chalk, on cream laid paper, laid down on card.

The Evening Prayer, 1790

Jean Baptiste Mallet

A work made of red chalk, with touches of orange chalk, with touches of pen and brown ink, on cream laid paper, incised with a compass, laid down on blue wove board.

The Nest Robber, 1780s

Hubert Robert

A work made of pen and iron-gall ink and brush and gray wash, over traces of graphite, on off-white laid paper, laid down on cream laid laminated card.

The Riva degli Schiavoni Seen from the Market at the Pier, after 1755

Canaletto

A work made of charcoal on tan laid paper.

Servant Drawing Water from the Fountain, 1861

François Bonvin

A work made of opaque watercolor, with shell gold, gold leaf, and with touches of incising, on vellum.

On the Renewal of the Alliance between France and the Swiss (Sur le Renouvellement de l'Alliance entre France et les Suisses), 17th Century

Jacques Bailly, I

A work made of tin-glazed earthenware (faience) and pewter with enamel decoration.

Jug, c. 1665

Johann Schaper

A work made of tin-glazed earthenware (faience) and pewter mounts.

Tankard, c. 1770

Earthenware wine jug decorated with colorful birds, flowers and trees and covered with a pewter lid topped by a round knob.

Wine Jug, 1747/53

Wine jug with a long neck covered with a pewter lid. White earthenware body is decorated with a landscape scene in blue.

Wine Jug, c. 1700

A work made of tin-glazed earthenware (faience) and pewter.

Wine Jug, c. 1720

A work made of tin-glazed earthenware (faience) and pewter.

Tankard, Mid 18th century

A work made of tin-glazed earthenware (faience) and pewter.

Tankard, c. 1720

A work made of steel, wood, bone, and staghorn.

Combined Axe and Flintlock Pistol, Axe, 1570/1600 Pistol, 1670/1700

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