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A work made of soft ground etching in black on white wove paper.

Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands, 1826

Christian Josi

A work made of soft ground etching, hard ground etching, aquatint, and roulette, printed from two plates in red-brown and black on white laid paper.

Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands, 1826

Christian Josi

A work made of soft ground etching, aquatint, and roulette inked à la poupée in black and brown on white wove paper.

Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands, 1826

Christian Josi

A work made of soft ground etching, with roulette, printed in red on white wove paper.

Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands, 1826

Christian Josi

A work made of soft ground etching, hard ground etching, aquatint, and roulette, printed from two plates in red-brown and black, on ivory laid paper.

Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands, 1826

Christian Josi

A work made of soft ground etching from two plates, with roulette, on paper.

Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands, 1826

Christian Josi

A work made of soft ground etching, hard ground etching, aquatint, and roulette, printed from two plates in red-brown and black on white laid paper.

Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands, 1826

Christian Josi

A work made of soft ground etching from two plates, hard ground etching, aquatint, and roulette on paper.

Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands, 1826

Christian Josi

A work made of soft ground etching from two plates, with roulette, on paper.

Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands, 1826

Christian Josi

A work made of soft ground etching, hard ground etching, aquatint, and roulette printed from two plates in red-brown and black on white laid paper.

Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands, 1826

Christian Josi

A work made of soft ground etching, aquatint, roulette, and traces of drypoint, on ivory laid paper.

Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands, 1826

Christian Josi

A work made of soft ground etching, aquatint, and roulette, with touches of drypoint, printed in black on white laid paper.

Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands, 1826

Christian Josi

A work made of handcolored lithograph in black on mottled gray-blue wove paper (discolored to gray-green), laid down on white wove paper.

Madonna, 1895/96

Edvard Munch

A work made of color aquatint and drypoint on off-white wove paper.

The Fitting, 1890–91

Mary Cassatt

A work made of engraving on ivory laid paper.

Portrait of Robert de Cotte, 1722

Pierre Drevet

A work made of etching in black on ivory laid japanese vellum.

Toast, plate one from Poesies de Mallarmé, 1932

Henri Matisse

A work made of lithograph in black on gray laid china paper.

Odalisque Seated in Tulle Skirt, 1924

Henri Matisse

A work made of etching in black on ivory laid japanese vellum.

A Few Sonnets: Frontispiece, plate 24 from Poesies de Mallarmé, 1932

Henri Matisse

A work made of etching in black on ivory laid japanese vellum.

A Faun in the Afternoon, plate fifteen from Poesies de Mallarmé, 1932

Henri Matisse

A work made of etching in black on ivory laid japanese vellum.

Weary of Bitter Rest, plate seven from Poesies de Mallarmé, 1932

Henri Matisse

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