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Print in thick black lines of two women, pictured from the shoulders up, in front of three apartment buildings. The woman on the left wears a headwrap. She looks directly at the viewer with eyebrows raised and mouth slightly frowning. The woman on the right is in profile, looking at the other woman.

Special Houses, from The Black Woman (formerly The Negro Woman) (published 1946-47), 1946, printed 1989

Elizabeth Catlett

Print in black ink of a black boy sitting on a stool. Behind him looms a skeleton in a white hooded costume holding a noose. The skeleton is held back by a larger-than-life black man in glasses, William Patterson, who reaches in from the right side of the image wearing a banner that reads, "CRC."

Civil Rights Congress, 1949

Elizabeth Catlett

A work made of marble with carved decoration.

Tombstone in the Shape of a Prayer Niche, Seljuq dynasty (1037–1194), dated 507 AH/1113 CE

Islamic

A work made of black chalk on tan wove tracing paper, laid down on ivory wove paper.

Compositional study for The Sacred Grove, Beloved of the Arts and the Muses, 1883/84

Pierre Puvis de Chavannes

A work made of woodcut in gray, hand-colored with brush, stencil and watercolor on ivory laid paper.

The Arrival in France of Saint Francis of Paola, c. 1495

A work made of etching and engraving in black on cream paper edge mounted on cream wove paper.

Hudibras' First Adventure, plate three from Hudibras, February 1725/26

William Hogarth

A work made of etching and engraving in black on cream paper edge mounted on cream wove paper.

Hudibras Sallying Forth, plate two from Hudibras, February 1725/26

William Hogarth

A work made of etching and engraving in black on cream paper edge mounted on cream wove paper.

Frontispiece, plate one from Hudibras, February 1725/26

William Hogarth

A work made of etching and engraving in black on cream paper edge mounted on cream wove paper.

Hudibras in Tribulation, plate six from Hudibras, February 1725/26

William Hogarth

A work made of etching and engraving in black on cream paper edge mounted on cream wove paper.

Hudibras Vanquished by Trulla, plate five from Hudibras, February 1725/26

William Hogarth

A work made of etching and engraving in black on cream paper edge mounted on cream wove paper.

Hudibras Triumphant, plate four from Hudibras, February 1725/26

William Hogarth

A work made of etching and engraving in black on cream paper edge, mounted on cream wove paper.

Hudibras and Sidrophel, plate eight from Hudibras, February 1725/26

William Hogarth

A work made of engraving in black on cream paper edge mounted on cream wove paper.

Hudibras and the Skimmington, plate seven from Hudibras, February 1725/26

William Hogarth

A work made of schist.

Seated Buddha with Hands in Preaching Gesture (dharmachakrapravartanamudra), Kushan period, 2nd/3rd century

A work made of engraving in black on cream laid paper edge mounted on cream wove paper.

Burning the Rumps at Temple Bar, plate eleven from Hudibras, February 1725/26

William Hogarth

A work made of etching and engraving in black on cream paper edge, mounted on cream wove paper.

The Committee, plate ten from Hudibras, February 1725/26

William Hogarth

A work made of etching and engraving in black on cream paper edge, mounted on cream wove paper.

Hudibras Catechized, plate nine from Hudibras, February 1725/26

William Hogarth

A work made of etching and engraving in black on cream paper edge, mounted on cream wove paper.

Hudibras and the Lawyer, plate twelve from Hudibras, February 1725/26

William Hogarth

A work made of etching and drypoint on japanese paper.

Funeral Party, 1884

Henri Rivière

A work made of woodcut on cream laid paper.

Repose, c. 1920

John Bradley Storrs

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