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A work made of porcelain painted in overglaze polychrome enamels.

Bencharong (Five-Colored) Ware, Bowl, 19th century

A work made of porcelain painted with gilt in overglaze polychrome enamels.

Lai Nam Thong (Gold-Washed) Ware, Covered Bowl, 19th century

A work made of porcelain painted in overglaze polychrome enamels.

Bencharong (Five-Colored) Ware, Footed Stem Plate with Foliate Rim, 19th century

A work made of porcelain painted with gilt in overglaze polychrome enamels.

Lai Nam Thong (Gold-Washed) Ware, Miniature Covered Box, 19th century

A work made of porcelain painted with gilt in overglaze polychrome enamels.

Lai Nam Thong (Gold-Washed) Ware, Covered Bowl, 19th century

A pastel rendering of a woman in 3/4 view from the waist up. She wears a voluminous brown coat and a large blue hat. While some areas of color are blended, elsewhere the lines of the artist's marks are visible.

Young Woman with a Hat, 1900

Pablo Picasso

Pointed Pendant

Pointed Pendant, Eastern Zhou period, 7th/6th century B.C.

A work made of porcelain painted in overglaze polychrome enamels.

Bencharong (Five-Colored) Ware, Jar with Tiered Cover, 19th century

A work made of porcelain painted in overglaze polychrome enamels.

Bencharong (Five-Colored) Ware, Bowl, 19th century

Black marks on a white paper include a mixture of curved, straight, and intersecting lines as well as patches of hatching and a solid black heart. The words "vie Marc" in capital letters are written in the center of the composition.

Still Life with Bottle of Marc, August 1911, published 1912

Pablo Picasso

A work made of silk, moriche palm fiber, alpaca, metalized synthetic film wrapped thread (gold and silver), and metalized synthetic film strip (silver); plain weave, multi-layer cloth.

White Dwarf, 2016

María Eugenia Dávila

A work made of linocut in dark cream and red on ivory wove paper.

Still-Life with Lunch I, 1962

Pablo Picasso

A work made of linocut in black over gray, maroon (reddish-brown) and cream on ivory wove paper.

Still-Life with Lunch I, 1962, printed April 24, 1962

Pablo Picasso

A colored drawing of a nude minotaur and blue horse in the arena of a stadium. The muscled minotaur stands, his arms raised and flexed, showing his strength. The horse twists toward the minotaur as it rears and tumbles to the ground. The body of the horse is heavily decorated in black ink, designs that enhance its physique. The background of spectators is rendered very sketchily.

Minotaur and Wounded Horse, April 17, 1935

Pablo Picasso

Black marks on a white paper include a mixture of curved, straight, and intersecting lines as well as patches of hatching. The word "fox" in capital letters is written in the upper middle right.

Fox, 1911, published 1912

Georges Braque

A work made of oil on canvas.

Ballet Dancer, late 1920s

André Derain

A white marble sculpture of a young man's muscular torso and legs, the left knee bent and right leg straight, as if the figure were leaning on its knee. It is missing a head, arms, and the lowermost portion of the left leg. The stone is lightly marbled in brown on the right leg.

Statuette of Hercules Capturing the Ceryneian Hind, 1st–2nd century

A painting in saturated, rich tones of a young woman holding a naked infant with a halo as an older woman tends to them, another small and naked child at her feet. The young woman wears robes of bright pink, while the older woman wears a vivid green top and yellow skirt.

Madonna and Child with Saints Elizabeth and John the Baptist, 1535–40

Jacopino del Conte

A wall-mounted sculpture in brown plastic-like material in the shape of an oversized light switch with two switches side by side.

Light Switches–Hard Version, Replica (Brown), 1964–69

Claes Oldenburg

A work made of brass and enamels.

Chandelier, 1852

Augustus Welby Northmore Pugin

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