Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of double sided, cotton and polyester, plain weaves, some printed, some fulled; pieced; polyester batting, quilted with cotton and polyester thread.

"Pinwheel" Quilt, c. 1975

Allie Pettway

A work made of ballpoint pen, felt-tip pen, pastel, graphite pencil, and colored pencil on cream wove paper.

Workbook B, 1972

Joseph Yoakum

A work made of ballpoint pen, felt-tip pen, pastel, graphite pencil, and colored pencil on cream wove paper.

Workbook A, 1972

Joseph Yoakum

A work made of ballpoint pen, felt-tip pen, pastel, graphite pencil, and colored pencil on cream wove paper.

Workbook D, 1972

Joseph Yoakum

Close-up view of the face of a medium brown–skinned man cupping his chin in his hand, his eyes closed. The brushstrokes are visible and his features are somewhat exaggerated and disproportionate. He is set against a light green background.

Barack, 2020

Jordan Casteel

A work made of slip-decorated earthenware.

Beer Vessel (Chomo), c. 1960s

Shipibo

A work made of box construction.

The Eagle, the Arrow, and the Dolphin, c. 1960

Joseph Cornell

A work made of oil on panel.

Trompe-l'Oeil Still Life with a Flower Garland and a Curtain, 1658

Adriaen van der Spelt

A work made of oil on masonite.

Desert Forms, 1957

Hughie Lee-Smith

A work made of schist.

Jaina Tirthankara Chandraprabha Standing in Meditation (Kayotsarga), 12th century

A colorful wedding scene with a dark-skinned bride in red and a groom in black at center, their backs to the viewer. A minister cloaked in black stands between them, a dense wall of flowers or perhaps a floral pattern behind him. The group is flanked by two figures and panels of geometric stained glass.

The Wedding, 1948

Jacob Lawrence

A light-skinned woman with lightish hair pulled back stands in partial profile, wearing an oversized wrap-around sweater with bell sleeves and a geometric print, hands together. She looks seriously at the viewer.

Gundvor Berg in Her Studio, 1926

André Kertész

A work made of bronze.

Violet Sargent, Modeled 1890, cast c. 1908

Augustus Saint-Gaudens

A work made of low-fire clay, underglazes, glazes, metal, gold leaf, luster, and glass.

La Linda Nasca, 2011

Kukuli Velarde

A work made of wool and silk, slit and double interlocking tapestry weave.

Pluto and Proserpina with Falconry, c. 1600

Erasmus de Pannemaker, I

A work made of wool and silk, slit and double interlocking tapestry weave.

The Crossing of the Granicus, from The Story of Alexander the Great, 1619

Karel van Mander, II

Bright abstract print featuring a geometric background in cream, black, and gray with semitransparent shapes superimposed upon it: two blue blobs, a red-brown oblong shape, and a prominent yellow rounded shape with three nearly circular holes in it.

Lyrique No. 19, 1952

Onchi Kōshirō

A work made of wool and silk, slit and double interlocking tapestry weave.

Venus and Adonis (?) with the Duck Hunt, c. 1600

Jacques Geubels, I

A work made of wool and silk, slit and double interlocking tapestry weave.

The Feast [central part], from The Story of Artemisia, 1607/30

Antoine Caron

A tapestry depicting a fountain that features two nude females holding a platform on which another nude female lies, her arm around a moose.

The Petitions [right part], 1607/30

Antoine Caron

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