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A work made of pen and brown ink, over traces of black chalk, on ivory laid paper.

Farmyard Scene, n.d.

Bernardo Zilotti

A work made of black chalk on cream laid paper, laid down on cream laid paper.

Ceremony in Church, n.d.

Marie-Felice Subleyras-Tibaldi

A work made of charcoal, with stumping, on tan wove paper.

Central Figure, study for The Life of Saint Louis, King of France, c. 1878

Alexandre Cabanel

A work made of pen and brown ink, over black chalk, on ivory laid paper, tipped on to ivory wove paper.

Pastoral Landscape with Shepherd and Cattle, n.d.

Bernardo Zilotti

A work made of pen and brown ink, with brush and brown wash, over traces of black chalk, on tan laid paper.

Colonnade Portico, n.d.

Italian School

A work made of black chalk, heightened with white chalk, on tan laid paper, tipped on ivory laid paper.

Standing Draped Male Figure, Holding Staff, n.d.

Eustache Le Sueur

A work made of pen and brown ink, with brush and blue and gray wash, over traces of graphite, on tan laid paper, laid down on ivory wove paper.

Design for an Altar, n.d.

Unknown Bolognese

A work made of black chalk and charcoal, with stumping, with graphite, heightened with white chalk, on blue wove paper.

Two Ladies of Ancient Rome, c. 1893

Paolo Mei

A work made of pen and iron gall ink, with brush and gray wash, and traces of red chalk, over traces of graphite, on cream laid paper (pieced).

Mythological Scene: Triumph of Alexander (recto), n.d.

François Chauveau

A work made of pen and iron gall ink, with brush and gray wash, and traces of red chalk, over traces of graphite, on cream laid paper, laid down on cream laid paper.

Triumph of Alexander, n.d.

François Chauveau

A work made of pen and brush and iron gall ink, over touches of graphite, on cream laid paper.

Teatro delle Acque, Villa Torlonia, Frascati, n.d.

A work made of graphite, heightened with white gouache, on tan wove paper with brown fibers.

Italian Town on a River, 1850

Gustave Clarence Rodolphe Boulanger

A work made of red chalk, with stumping, on tan laid paper.

Seated Male Nude, n.d.

François Le Moyne

A work made of pen and iron gall ink, with brush and brown wash, over traces of black chalk, on ivory laid paper, pieced and partially laid down (recto), and pen and iron gall ink on ivory laid paper (verso).

Entombment (recto); Virgin and Child with the Infant John the Baptist (verso), n.d.

Imitator of Guercino

A work made of pen and brown ink, with brush and brown wash, over traces of black chalk, on ivory laid paper, partially laid down on gray wove paper.

View of Town Beside River, n.d.

Marco Ricci

A work made of pen and brown ink, with brush and gray brown wash, over traces of graphite, on ivory laid paper.

Israelites in the Wilderness, n.d.

Unknown Neapolitan

A work made of pen and brown ink, with brush and brown and gray wash, over graphite, on ivory laid paper, laid down on ivory laid paper.

Ceiling with Bacchus, Ariadne, Diana and Minerva, 1795/1800

Filippo Pedrini

A work made of red chalk, with touches of black chalk, on ivory laid paper.

Back View of a Seated Male Nude Holding Shepherd's Crook, 1775/79

Filippo Ottani

A work made of pen and black ink, with brush and pale brown wash, over black chalk, heightened with lead white (discolored), on blue laid paper.

Nessus and Deianira, n.d.

Circle of Vincenzo Camuccini

A work made of charcoal and graphite, with stumping, and red chalk with touches of white chalk, on brown wove paper.

Lion's Head and Sketch of a Lion, c. 1860-70

Edmé Saint-Marcel

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