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A work made of color print from three textile plates on off-white wove paper.

The Little Cloud, 1923

Theodore Roussel

A work made of color print from thirteen textile plates, with stencil, on ivory wove paper.

L'Oublié, 1920–22

Theodore Roussel

A work made of softground etching in black ink on ivory laid paper.

The Sea at Bognor, 1895

Theodore Roussel

A work made of drypoint, aquatint, softground and lavis in blue-green and yellow-brown metallic on ivory japanese paper.

Mount for Last Poppies, 1897–99

Theodore Roussel

A work made of etching and soft ground in yellow-brown metallic and black on ivory laid paper.

Stag and Flower Pattern Frame (top frame section), 1897–99

Theodore Roussel

A work made of brush and black ink, gold metallic ink, and watercolor on semi-transparent tan wove paper.

Untitled Drawing for Frame Cartouche (Salamander), 1899/1908

Theodore Roussel

A work made of brush and black ink on semi-transparent tan wove paper.

Untitled Drawing for Frame Cartouche (Plant Motif), 1899/1908

Theodore Roussel

A work made of pen and brush and black ink, with graphite and traces of white gouache on semi-transparent yellowish brown wove paper.

Design for a Frame, 1899–1908

Theodore Roussel

A work made of softground etching, aquatint, lavis and drypoint in yellow-brown metallic and light brownish red on ivory laid paper.

Mount for The Sea at Bognor, 1897–99

Theodore Roussel

A work made of etching and soft ground in black, yellow-brown metallic, and green-blue with plate tone, on ivory japanese paper.

Stag and Flower Pattern Frame (bottom frame section), 1897–99

Theodore Roussel

A work made of etching and soft ground in yellow-brown metallic and black on ivory laid paper.

Stag and Flower Pattern Frame (side frame section), 1897–99

Theodore Roussel

A work made of etching and soft ground in black on cream laid paper.

Jupiter and Alcmene and Nymphs and Satyrs on a Frieze Medallion, Study for Decoration of a Frame, 1907–08

Theodore Roussel

A work made of etching in black on cream laid paper.

Jupiter and Alcmene Medallion, Sketch for Decoration of a Frame, 1907–08

Theodore Roussel

A work made of etching on zinc in black on cream japanese paper.

Boats Aground, 1888

James Ensor

A work made of etching on copper in black on cream wove (simili-japan) paper.

Capture of a Strange Town, 1888

James Ensor

A work made of etching and aquatint in sepia on ivory laid paper.

They Spruce Themselves Up, plate 51 from Los Caprichos, 1797/99

Francisco José de Goya y Lucientes

A work made of charcoal with traces of blue pencil on cream wove paper.

Study for the Baths of Ostend (recto); Notes for Exhibition Installation (verso), c. 1898–99

James Ensor

A work made of etching with drypoint on copper in black with hand-coloring on cream wove paper.

The Entry of Christ into Brussels, 1898

James Ensor

A work made of etching with drypoint on copper in black with plate tone on cream wove paper.

Roman Victory, 1889

James Ensor

A work made of etching with drypoint on copper in black with hand-coloring on cream wove paper.

Napoleon's Farewell, 1897

James Ensor

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