Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of graphite, with touches of brush and black ink, on white wove paper.

Untitled, 1969

Lee Bontecou

A scene of India in vibrant yellows, oranges, greens, blues and reds. A white castle is in the background with a noble under a green umbrella and people trying to see him. Many guards can be seen with various weapons.

Untitled (Ocean), 1968

Vija Celmins

A work made of gouache on white wove paper.

Still Life with Honey Jar, 1978

William Bailey

A work made of graphite, watercolor and crayon on heavy ivory wove paper.

O, 2003

Margherita Manzelli

Painting paper in a variety of colors and gold. A young man stands before the two older men who are mounted on horses. Lizards, birds, and a snake appear among ruined buildings.

Status L. Phenomenon #4, 2007

Jana Gunstheimer

A work made of graphite, with stumping and erasing, on white wove paper.

Evening Garden, 2015

Robert Lostutter

A work made of watercolor and charcoal with stumping and smudging, over graphite, on cream wove paper.

Changing Skin, 2006

Anju Dodiya

A work made of gouache with graphite, on cream laminate board.

Sun, Rocks, Trees #2, 1959

Charles Sheeler

A work made of collage of cut and pasted printed papers, with graphite and touches of incising, on paperboard, laid down on wood panel.

Gray Interior (aka Gray Morning), 1969

Romare Howard Bearden

A work made of watercolor, with graphite, on ivory wove paper.

The Three Skulls, 1902/06

Paul Cezanne

A work made of graphite, on ivory wove paper.

The Artist's Father Reading, c. 1883

Mary Cassatt

A work made of graphite and watercolor on paper.

Sketchbook from the Artist's Trip to Germany, 1855–59

Eugène Delacroix

A work made of various charcoals, with black chalk and black conté crayon, wiping, stumping and erasing on cream wove paper altered to a golden tone.

Landscape, 1868

Odilon Redon

A work made of ink, powdered pigment and fixative on brown wove paper mounted to board.

American Costume, 1970

David Hammons

A work made of pen and brush and black ink, with opaque white on two sheets of white wove paper, hinged to board.

Nukuler Holocaust Kicks, 1978

Robert Crumb

A work made of burnt shellac on commercially coated red thin board.

Fire Painting, 1967

Otto Piene

A work made of collage of oil and graphite on tracing paper, with torn-and-taped tracing paper elements.

The Prophet (Part 4/6), 1999–2001

Francis Alÿs

A work made of charcoal with smudging, erasing and red crayon on ivory wove paper.

Drawing from "Zeno Writing" (landscape, text fragments), 2002

William Kentridge

A work made of translucent and opaque watercolor, with pen and inks and black acrylic paint, on ivory wove paper, folded into multiple signatures and sewn through the fold in a quarter-cloth binding with marbled paper covered boards with loose collage elements and blue ribbon page marker.

Crystal Blue Cathedral, 1994

Raymond Pettibon

A work made of graphite on yupo paper.

Landmark, 2013

Marco Maggi

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