Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of gelatin silver print.

Untitled, 1960/79

Bob Crawford

A work made of gelatin silver print.

Stokley Carmichael, Unknown Chicago Church, 1967/68

Darryl Cowherd

A work made of gelatin silver print.

Gage Park Protest, Chicago, 1967/68

Darryl Cowherd

A work made of gelatin silver print.

Blackstone, Woodlawn/Chicago, 1968

Darryl Cowherd

A work made of gelatin silver print.

Blackstone, Woodlawn/Chicago, 1968

Darryl Cowherd

A work made of gelatin silver print.

Brother and Pop Art, 1965

Billy Abernathy

A work made of gelatin silver print.

Chicago, 1965

Billy Abernathy

A work made of gelatin silver print.

Mother's Day, from the series "Born Hip", 1962

Billy Abernathy

A work made of gelatin silver print.

The Robe, from the series "Born Hip", 1962

Billy Abernathy

A work made of gelatin silver print.

The Screen, from the series "Born Hip", 1967

Billy Abernathy

Photograph of a group of black children, mostly boys, who laugh outside a stone house, one with his arms wrapped around another's shoulders. A formally dressed black women stands in front of them in profile. Behind them, a black man stands in the doorway, and children perch in the windows.

Untitled, c. 1960

Jim Stricklin

A work made of gelatin silver prints, collage.

Untitled

Robert Sengstacke

A work made of gelatin silver print.

Untitled (Watts Festival Parade, Los Angeles), 1969

Robert Sengstacke

A work made of gelatin silver print.

Saviours' Day Prayer, 1966

Robert Sengstacke

A work made of gelatin silver print.

Untitled (Young Couple), 1967

Robert Sengstacke

A work made of gelatin silver print.

Untitled (Martin Luther King at Robert Taylor Homes, Chicago), 1965

Robert Sengstacke

A work made of gelatin silver print.

Duke Ellington, 1972/73

Ozier Muhammad

Black-and-white photograph of a large group of very young dark-skinned boys in formal attire, standing in three rows on a stage. Behind them is a backdrop with domed buildings. In front is a figure with a white head covering, back to us.

University of Islam School Assembly, 1966, 1972/1978

Ozier Muhammad

Black-and-white photograph of two dark-skinned boys. The one on the right leans back in a tall chair, eyeing the camera with an angry expression, wearing torn jeans. The boy to the left stands and looks off with a similar expression.

Shoeshine Boys, Old Town, Chicago, 1973, 1977

Ozier Muhammad

Black-and-white photograph of a dark-skinned man in a black cap and long black coat walking alongside a concrete wall with a bricked-in doorway. His eyes are downcast, and he smokes a cigarette.-

Leaving the Killing Floor (Stockyards), 1972, printed 1972/78

Ozier Muhammad

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