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A work made of graphite and red chalk, on cream wove paper (discolored from ivory) laid down on ivory.

Study for the Head of the Rescuing Lover in Escape of the Heretic, 1857

Sir John Everett Millais

A work made of watercolor heightened with white gouache and graphite, on tan laid paper.

Rearing Horse, 1817

Edwin Henry Landseer

A work made of watercolor, over traces of graphite, on cream wove paper, laid down on board.

Seated Woman in Black Gown, n.d.

William Henry Hunt

A work made of graphite, with touches of pen and brown ink (recto and verso) on ivory paper.

Design for a Gothic Arch with the Artist and Effie Ruskin Embracing (recto); Design for a Gothic Arch with Effie as an Angel (verso), 1853

Sir John Everett Millais

A work made of black and white chalk on brown wove paper.

Figure Study, n.d.

Sir John Edward Poynter

A work made of pen and brown ink and watercolor with graphite (recto) and graphite (verso) on tan wove paper, edge-mounted to cream wove paper.

A Farmer Feeding his Pony in Geneva (recto); Seated Friar (verso), 1840 (recto); c. 1840 (verso)

Edwin Henry Landseer

A work made of black chalk and watercolor, heightened with white gouache on light blue paper.

Study of a Young Man's Head with Right Arm Outstretched, 1860

Sir John Edward Poynter

A work made of brown and red chalks on buff wove paper, hinged to cream wove paper.

Study for Festival, c. 1875

Sir John Edward Poynter

A work made of watercolor, over graphite on ivory wove paper.

The Old Fence, n.d.

Thomas Faed

A work made of brush and brown wash, over graphite, on cream wove paper laid down on tan wove paper.

Boats in a Harbor, c. 1824

Richard Parkes Bonington

A work made of brown and black chalks on cream wove paper.

Study for Festival, c. 1875

Sir John Edward Poynter

A work made of brown and red chalks on buff wove paper, hinged to cream wove paper.

Study for Festival, c. 1875

Sir John Edward Poynter

A work made of black and white chalks, with traces of red chalk on brown wove paper, hinged to cream wove paper.

Study for Festival, c. 1875

Sir John Edward Poynter

A work made of graphite and gray wash on ivory wove paper.

Cley Church, Norfolk, 1818

John Sell Cotman

A work made of black chalk on buff wove paper, hinged onto cream wove paper.

Study for Festival, c. 1875

Sir John Edward Poynter

A work made of graphite on ivory wove paper.

Binfield Rectory and Church, Berkshire, 1816

John Constable

A work made of pen and gray ink and brush and gray wash, over graphite, on gray laid paper, laid down on ivory wove paper.

Amphion and Zethus Delivering their Mother Antiope from the Fury of Dirce and Lycus, 1789

John Flaxman

A work made of black chalk, heightened with white chalk, on green-gray wove paper, tipped onto cream wove paper.

Walking Through the Fields, July 25, 1868

John Linnell

A work made of brush and brown and black watercolor, with touches of scratching, on cream wove paper.

The Destroying Angel, 1833

John Martin

A work made of watercolor, with touches of opaque watercolor, over graphite, on off-white wove paper, edge mounted onto buff wove paper, ruled in the margins with pen and brown ink.

A French Market Scene, possibly Boulogne, 1829 or 1832

David Cox, the elder

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