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A work made of etching on copper in black on ivory wove paper.

Painter Picking up his Brush, with a Model in a Turban, plate seven from Le Chef d'oeuvre inconnu, 1927–28, printed and published 1931

Pablo Picasso

Large painting, standing man blue turtleneck, sitting woman with white collar

Bald Painter Before his Easel, plate six from Le Chef d'oeuvre inconnu, 1927, printed and published 1931

Pablo Picasso

A work made of etching on copper in black on ivory wove paper.

Sculptor with Sculpture and Other Works, plate five from Le Chef d'oeuvre inconnu, 1927, printed and published 1931

Pablo Picasso

A work made of etching on copper in black on ivory wove paper.

Painter and Model Knitting, plate four from Le Chef d'oeuvre, 1927, printed and published 1931

Pablo Picasso

A work made of etching on copper in black on ivory wove paper.

Bull and Horse in the Arena, plate three from Le Chef d'oeuvre inconnu, probably 1929, printed and published 1931

Pablo Picasso

A work made of etching on copper in black on ivory wove paper.

Painter with Two Models Looking at a Canvas, plate two from Le Chef d'oeuvre inconnu, 1927, printed and published 1931

Pablo Picasso

A work made of etching on copper in black on ivory wove paper.

Sculptor Before his Sculpture, with a Young Girl in a Turban and Sculpted Head, plate one from Le Chef d'oeuvre inconnu, 1927, printed and published 1931

Pablo Picasso

A work made of linocut on cream wove paper.

1952 Exhibition Poster, 1952

Pablo Picasso

A work made of gouache on corrugated cardboard.

Untitled (Devil), 1952

Pablo Picasso

A work made of pen and black ink, with brush and gray wash and scraping, on cream wove paper.

Double Flute Player and Reclining Nude, October 22, 1932

Pablo Picasso

A work made of graphite and blue crayon on ivory wove paper.

Study XI for Richard J. Daley Center Sculpture, January 28, 1964

Pablo Picasso

A work made of graphite on ivory wove paper.

Study X for Richard J. Daley Center Sculpture, January 28, 1964

Pablo Picasso

A work made of graphite on ivory wove paper.

Study IX for Richard J. Daley Center Sculpture, January 28, 1964

Pablo Picasso

A work made of graphite (recto and verso) on ivory wove paper.

Study VIII for Richard J. Daley Center Sculpture (recto and verso), January 28, 1964

Pablo Picasso

A work made of graphite (recto and verso) on ivory wove paper.

Study VII for Richard J. Daley Center Sculpture (recto and verso), January 28, 1964 (recto); 1964 (verso)

Pablo Picasso

A work made of graphite, with traces of pen and brown ink, on ivory wove paper.

Study VI for Richard J. Daley Center Sculpture, January 28, 1964

Pablo Picasso

A work made of graphite on ivory wove paper.

Study V for Richard J. Daley Center Sculpture, January 28, 1964

Pablo Picasso

A work made of graphite on ivory wove paper.

Study IV for Richard J. Daley Center Sculpture, January 28, 1964

Pablo Picasso

A work made of graphite on ivory wove paper.

Study III for Richard J. Daley Center Sculpture, January 28, 1964

Pablo Picasso

A work made of graphite on ivory wove paper.

Study II for Richard J. Daley Center Sculpture, January 28, 1964

Pablo Picasso

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