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A work made of graphite, with touches of yellow, blue, and white crayon and yellow and purple fiber-tipped pen, on ivory wove paper.

Study I for Richard J. Daley Center Sculpture, January 28, 1964

Pablo Picasso

A work made of watercolor and pen and brown ink, with charcoal and scraping (recto) graphite (verso), on cream wove paper, with pieced cream laid paper repairs.

Still Life with Bottle (recto) Bottle with Stipper (verso), fall 1909

Pablo Picasso

A work made of transfer lithograph on ivory wove paper.

Woman's Head, November 2, 1945

Pablo Picasso

A work made of charcoal, with stumping, on cream laid paper.

Peasant Woman with a Shawl, summer 1906

Pablo Picasso

A work made of etching and aquatint on white wove paper.

111, from 347 Gravures, May 25, 1968

Pablo Picasso

A work made of text and cover with 67 wood engravings, bound with black tooled leather spine gilded with the title, artist and date, and corners over canvas-covered boards embellished with an impression of the cover wood engraving in gold. 12 etchings hors-texte stored separately..

Le Chef d'oeuvre inconnu, published 1931

Pablo Picasso

A work made of aquatint and sugar lift etching on ivory laid paper.

The Horse, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of lithograph in black on ivory wove paper.

The Check Cloth Bodice, March 26, 1949

Pablo Picasso

A work made of aquatint and sugar lift etching on copper in black on ivory wove paper.

The Wounded Picador, June 20, 1952

Pablo Picasso

A work made of aquatint, with scraping and drypoint on white wove paper.

The Hen, June 23, 1952

Pablo Picasso

A work made of pen and brown ink on tan wove paper laid down on cream card.

Young Girl Washing Herself, c. 1905

Pablo Picasso

A work made of drypoint on ivory wove paper.

The Nude Model, 1927

Pablo Picasso

A work made of linoleum engraving on ivory wove paper.

The Banderilleros, August 26, 1959, published 1960

Pablo Picasso

A work made of wood, metal, plastic, nails, screws, paint, twine, paper, and concrete.

Figure, 1935

Pablo Picasso

A work made of pen and brown ink and watercolor, with blotting, on cream laid paper.

Woman in Profile, c. 1904

Pablo Picasso

A black print on ivory paper shows a large nude fawn kneeling as he lifts the bed covers from a nude sleeping woman on a bed on the right. Her figure is presented in a much less detailed fashion, mostly an outlined form, while the rest of the scene, the fawn and the room's interior, are rendered with greater detail.

Faun Uncovering a Sleeping Woman (Jupiter and Antiope, after Rembrandt), from the Vollard Suite, June 12, 1936, printed and published 1939

Pablo Picasso

A work made of etching on copper in black on off-white laid paper.

Marie-Thérèse, Sculptor, and Sculpture Representing a Greek Athlete, from the Vollard Suite, April 11, 1933, printed 1939

Pablo Picasso

A work made of etching on copper in black on off-white laid paper.

Marie-Thérèse Kneeling, Contemplating a Sculpted Group, from the Vollard Suite, April 5, 1933; printed 1939

Pablo Picasso

A work made of etching on copper in black on off-white laid paper.

Sculptor Working on a Motif with Marie-Thérèse Posing, from the Vollard Suite, March 31, 1933, printed 1939

Pablo Picasso

A work made of etching on copper in black on off-white laid paper.

Young Greek Sculptor with His Sculpture: A Man and an Ephebe, from the Vollard Suite, March 27, 1933, printed 1939

Pablo Picasso

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