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A work made of aquatint, sugar lift etching, scraping, and drypoint on ivory laid paper.

The Pigeon, from Histoire naturelle, February 7, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint and sugar lift etching with scraping and drypoint on copper in black on off-white laid paper.

The Turkey, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint, sugar lift etching, and drypoint on copper in black ivory laid paper.

The Mother Hen, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint, sugar lift etching, scraping, and drypoint on ivory laid paper.

The Rooster, from Histoire naturelle, February 7, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint and etching on copper in black on off-white laid paper.

The Ostrich, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint, sugar lift etching, and drypoint on ivory laid paper.

The Sparrow Hawk, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint and sugar lift etching with drypoint on copper in black on off-white laid paper.

The Vulture, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint, sugar lift etching, and drypoint on ivory laid paper.

The White Eagle, from Histoire naturelle, February 9, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint and sugar lift etching with scraping and drypoint on copper in black on off-white laid paper.

The Monkey, from Histoire naturelle, February 9, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint, sugar lift etching, and drypoint on ivory laid paper.

The Lioness, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint and sugar lift etching on copper in black on off-white laid paper.

The Wolf, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint, sugar lift etching, scraping, and drypoint on ivory laid paper.

The Doe, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint and sugar lift etching with scraping and drypoint on copper in black on off-white laid paper.

The Goat, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint and sugar lift etching with drypoint on copper in black on off-white laid paper.

The Dog, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint and sugar lift etching with scraping and drypoint on copper in black on off-white laid paper.

The Cat, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint and sugar lift etching with scraping and drypoint on copper in black on off-white, laid paper.

The Ram, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint, sugar lift etching, and drypoint on ivory laid paper.

The Spanish Bull, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint, sugar lift etching, and drypoint on ivory laid paper.

The Bull, from Histoire naturelle, 1936, published May 26, 1942

Pablo Picasso

A work made of aquatint, sugar lift etching, scratching, and drypoint on ivory laid paper.

The Donkey, from Histoire naturelle, February 9, 1936, published May 26, 1942

Pablo Picasso

A work made of color lithograph on cream wove paper.

Couverture pour Dessins d'un Demi-Siecle, April 1956

Pablo Picasso

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