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A work made of etching on paper.

The Dancing Lesson, Part 3: L'ete, 1825

George Cruikshank

A work made of etching on paper.

The Dancing Lesson, Part 2: The Minuet, 1835

George Cruikshank

A work made of graphite on ivory wove paper.

Maitland's Own, 1831/82

Aster Chantrey Corbould

A work made of graphite on paper.

Man with a Large Bow Tie, 1835/1905

Edward Henry Corbould

A work made of graphite drawing on paper.

Girl in Bonnet, 1896

Edward Henry Corbould

A work made of graphite on tan wove paper.

Study of the Figure of Agnello Brunelleschi, c. 1826

William Blake

A work made of graphite on tan wove paper.

Fishing Boats in Port, c. 1830

Follower of Richard Parkes Bonington

A work made of black and white pastel with touches of graphite, on tan wove paper.

Standing Draped Figure in Profile to Left, c. 1888–1891

Sir Edward Burne-Jones

A work made of black and white chalk on brown wove paper.

Sketches of a Kneeling Man, n.d.

Sir John Edward Poynter

A work made of watercolor over black chalk on cream wove paper.

View from Wilmots Hill, Kent, 1830/1835

Samuel Palmer

A work made of watercolor and gouache with scraping, heightened withgum varnish, on cream wove paper, laid down on tan wove paper.

Coastal View with Shipping, 1864

Edwin Hayes

A work made of watercolor with black pastel on ivory wove paper, partially laid down on ivory wove paper.

View in Wales, n.d.

David Cox, the elder

A work made of pen and brown ink, with brush and gray wash, on cream laid paper.

The Damned in Hell, n.d.

Follower of John Hamilton Mortimer

A work made of graphite on ivory wove paper.

Male Nude, 1885

Sir Edward Burne-Jones

A work made of black crayon, heightened with red and white crayon, on brown wove paper.

Portrait of George IV, n.d.

William Mulready

A work made of watercolor and gouache, with scraping, heightened with varnish, over traces of graphite, on cream wove paper, laid down on green wove paper.

Marine Scene, n.d.

Imitator of Anthony Vandyke Copley Fielding

A work made of signed letter in pen and brown ink, with several sketches in pen and brown ink, and one entire sheet of sketches in graphite and watercolor, signed in pen and black ink, on two sheets of cream wove paper.

Letter: Stop Thief, 1851

George Cruikshank

A work made of pen and brown ink over black chalk (recto), and graphite, with touches of pen and brown ink (verso), on blue laid paper.

Study Sheet with Seated Knight (recto); Standing Male Figure in Medieval Dress (verso), n.d.

A work made of graphite on cream wove paper.

Sheet of Studies: Hands and Group of Oriental Figures, n.d.

George Chinnery

A work made of pen and brown ink with brush and watercolor and gouache, over graphite, on gray wove paper, laid down on board.

Gypsy Caravan on Bridge, c. 1840

William James Muller

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