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  • Art Institute Chicago
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A work made of brush and black ink, and watercolor, with scraping, on cream wove paper, laid down on ivory wove paper and edge mounted on card.

The Valley of the Eisak Near Brixen in the Tyrol, 1783/84

John Robert Cozens

A work made of crayon with graphite and scraping on off-white wove paper.

Carnival, 1943

Arshile Gorky

A work made of black crayon and white chalk on brown laid paper (partially discolored to tan).

Standing Female Nude, 1882/93

Arthur B. Davies

A work made of collage composed of cut and pasted paper elements, with graphite, gouache and yellow pencil, on incised tan wove paper, adhered to a wood panel.

Mica Magritte, 1963

Joseph Cornell

A work made of various graphite pencils, with erasing and stumping, on cream laid paper.

Male Nude, January 29, 1880

Gustav Klimt

Porcelain pear-shaped coffee pot decorated with with gold bands, female mask under spout and painted with harbor landscape in colors. Domed cover is topped by a rosebud knob.

Oyster Plate, Patented January 4, 1881

Union Porcelain Works

A work made of holograph papers, typed papers, printed papers, photocopies, and black and white photographic prints..

New Deal Federal Art Project Research Collection, 1934-1982

Works Progress Administration

A work made of etching on copper in black on off-white laid paper.

Sculptor Working on a Motif with Marie-Thérèse Posing, from the Vollard Suite, March 31, 1933, printed 1939

Pablo Picasso

An oil painting of a colorful female face on a white background. The woman wears glasses and large, hoop earrings, and is rendered in blue, red, yellow, and purples shades that create a kaleidoscopic effect.

Towards Identity, 1970

Nelson Stevens

Dearborn-Goethe Project, Chicago, Illinois, Working Drawings

Dearborn-Goethe Project, Chicago, Illinois, Working Drawings, 1960-1961

Bertrand Goldberg

A work made of lithographic crayon, with scraping and smudging, on cream wove paper.

Breadwinner (War), 1942

John Wilson

A work made of watercolor with touches of blotting, and with graphite and black colored pencil, on lightweight (estimated), slightly textured, ivory wove paper (top, left and right edges trimmed), laid down on artists’ board faced with ivory wove paper, in original frame.

Cape Split, Maine, 1941

John Marin

A work made of watercolor with touches of gouache, over graphite, on ivory wove paper.

Interior, 1925

Edward Hopper

A work made of pastel over monotype on buff wove paper, laid down on tan card.

Café-Concert (The Spectators), 1876/77

Hilaire Germain Edgar Degas

A work made of oil on canvas.

Nude, 1931

Ivan Albright

A work made of linen, lacis construction.

Morpheus (God of Dreaming), 1979

Luba Krejci

A work made of pen and black ink, over graphite, on ivory laid paper.

Coitus, 1931

Salvador Dalí

A work made of linen, plain weave; embroidered with silk yarns and gilt-metal-strip-wrapped silk in algerian eye, back, buttonhole, open buttonhole filling, chain, double running, overcast, plaited braid, and square open work stitches; laid work, couching and woven wheels; spangles.

Cushion Cover (Made from a Woman's Dress), late 16th century

A work made of gelatin silver print.

Chicken Market, 55 Hester Street, Manhattan, February 11, 1937

Berenice Abbott

A work made of pen and black ink on cream wove paper.

Untitled, n.d.

Kurt Seligmann

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