Curator

  • Art Institute Chicago
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A work made of platinum print, pl. xix from the album "life and landscape on the norfolk broads" (1886).

Gunner Working Up to Fowl, 1886

Peter Henry Emerson

A work made of super 16mm film transferred to high definition digital video; 9:41 continuous loop.

Always After (The Glass House), 2006

Iñigo Manglano-Ovalle

A work made of oil and oil crayon on cardboard.

Gea, 1944–45

Barnett Newman

A work made of graphite, with black conté crayon and watercolor, on cream wove paper.

Sleeping Woman, 1955

Balthus

A work made of drypoint on ivory laid paper.

Coal—Abomination of Work, Mahanoy River, 1908

Joseph Pennell

A work made of acrylic on canvas.

Sweet Oblivion, 1983

Martin Wong

A work made of pen and brown ink with brush and brown and gray wash on ivory laid paper.

A Romantic Landscape with a Ruined Castle, 1778–87

Robert Adam

A work made of gelatin silver print.

First Work in America, Italian Immigrant Carries Garments To The Tenement Home, 1910

Lewis Wickes Hine

A work made of cotton, plain weave; embroidered with silk in back, cross, and padded cross stitches.

Sampler, 1801/75

A work made of wool (camelid), plain weave of discontinuous warps and wefts; embroidered in double running stitches; edged with cross-knit loop stitches.

Fragment, 200 CE-900 CE

Nasca

Porcelain pear-shaped coffee pot decorated with with gold bands, female mask under spout and painted with harbor landscape in colors. Domed cover is topped by a rosebud knob.

Oyster Plate, Patented January 4, 1881

Union Porcelain Works

A work made of holograph papers, typed papers, printed papers, photocopies, and black and white photographic prints..

New Deal Federal Art Project Research Collection, 1934-1982

Works Progress Administration

A work made of colored inks, with touches of silver metallic paint, on fabric.

Abstraction, 1970

Sam Gilliam

A work made of black chalk, with stumping and white heightening (recto), charcoal with white heightening (verso), on buff laid paper.

Standing Male Nude (recto); Classical Head (verso), n.d.

Paul Émile Detouche

A work made of silk, warp-float faced satin weave; embroidered with silk, gilt-metal strips, gilt-metal-strip-wrapped silk, and metal purl and spangles in long-armed cross, padded satin, satin, single satin, split, and stem stitches; couching and embroidered cut pile; embellished with mica and glass beads.

Picture Depicting Peace, Justice, and Plenty (Needlework), 17th century

A huge steel petal juts from the earth. Across the lower part of its surface, raised lines crisscross. Written along one line is "Mended on June 12, 2015" and, lower down, "Yoko Ono."

Mended Petal, 2016

Yoko Ono

A work made of gelatin silver print.

Consolidated Edison Power House, 666 First Avenue, Manhattan, November 9, 1938

Berenice Abbott

A work made of gelatin silver print.

Fortieth Street Between Sixth and Seventh Avenues, Manhattan, December 8, 1938

Berenice Abbott

Portrait of a blonde, blue-eyed white woman with her hair up, sitting in an unspecified room. She wears a sheer, light blue dress with fur trim.

Portrait of Mrs. James Ward Thorne, 1915

Virginia Keep Clark

Seven square panels of gray patterned lines on cream paper, wach with five rows and seven columns of neat marks.

Seven Panels and Index, 1973

Hanne Darboven

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