Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of pastel on tan wove paper, laid down on canvas and wrapped around a strainer.

Melting Snow, 1887

Frits Thaulow

A work made of oil on newspaper on wood.

Untitled, 1957

Shôzô Shimamoto

A work made of acrylic on canvas.

Sweet Oblivion, 1983

Martin Wong

A work made of super 16mm film transferred to high definition digital video; 9:41 continuous loop.

Always After (The Glass House), 2006

Iñigo Manglano-Ovalle

A work made of oil and oil crayon on cardboard.

Gea, 1944–45

Barnett Newman

A work made of brown gouache on white wove paper.

Composition in Brown, 1959

R. G. Gillet

A work made of graphite, with black conté crayon and watercolor, on cream wove paper.

Sleeping Woman, 1955

Balthus

A work made of brush and watercolor, over traces of graphite, on ivory wove paper.

Two Women in Yellow Kerchiefs, n.d.

Constantin Guys

A work made of pen and brush and black and colored inks on ivory wove paper.

Untitled, 1944

Jackson Pollock

A work made of oil on canvas.

Café Singer, 1879

Hilaire Germain Edgar Degas

Sleeveless vest, photographed in black and white, featuring a leaf motif and a decorated panel down the front.

Chasuble with Orphrey Bands, 17th century

A work made of cotton, plain weave; embroidered with silk in back, cross, and padded cross stitches.

Sampler, 1801/75

A work made of blueprint on paper.

The Statesman - 21 Story Apartment Building: Structural Working Drawings, S1-S14, c. 1961

Milton M. Schwartz and Associates

A work made of colored inks, with touches of silver metallic paint, on fabric.

Abstraction, 1970

Sam Gilliam

A work made of pen and brown ink with brush and brown and gray wash on ivory laid paper.

A Romantic Landscape with a Ruined Castle, 1778–87

Robert Adam

A work made of wool (camelid), plain weave of discontinuous warps and wefts; embroidered in double running stitches; edged with cross-knit loop stitches.

Fragment, A.D. 200/900

Nasca

A work made of black chalk, with stumping and white heightening (recto), charcoal with white heightening (verso), on buff laid paper.

Standing Male Nude (recto); Classical Head (verso), n.d.

Paul Émile Detouche

A work made of silk, warp-float faced satin weave; embroidered with silk, gilt-metal strips, gilt-metal-strip-wrapped silk, and metal purl and spangles in long-armed cross, padded satin, satin, single satin, split, and stem stitches; couching and embroidered cut pile; embellished with mica and glass beads.

Picture Depicting Peace, Justice, and Plenty (Needlework), 17th century

A work made of cotton, plain weave; appliquéd with cotton, plain weave, printed; backed with cotton, plain weave; quilted.

Bedcover (Cockscomb, Rose Tree and Pineapple Quilt), c. 1840

A work made of acrylic on plexiglas, in artist's painted frame.

The Trogens, 1967

Gladys Nilsson

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