Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A photo of dark room shows one large projection on the wall to the left and on the wall to the right two pedestals with two monitors stacked on top of both. Each screen shows a different view of a red-wigged, red-nosed clown in a striped outfit.

Clown Torture, 1987

Bruce Nauman

A work made of black crayon on pale gray wove paper.

Sketch of Emma Bellows, n.d.

George Wesley Bellows

A work made of acrylic on chromogenic color print.

20.3.92, 1992

Gerhard Richter

A rectangular painting featuring two teal-green blocks of slightly different shades sandwiching a thin strip of blue. The blocks are hazily painted against a green background.

Untitled, 1967

Mark Rothko

A work made of acrylic on canvas, unframed.

Superficial Concerns, c. 1970

Ray Yoshida

A photograph of a gallery installation. The installation is a dyed canvas draped over two wooden sawhorses. The colorful canvas is almost sculptural, folded and bunched in space on top of the sawhorses.

"A" and the Carpenter I, 1973

Sam Gilliam

A work made of gelatin silver print.

Broome Street, Numbers 504-506, Manhattan, October 9, 1935

Berenice Abbott

A work made of metalpoint on prepared bluish-white wove paper.

Body of a Woman, 1928

John Bradley Storrs

A work made of watercolor on ivory wove paper, laid down on cream board.

Windmill, Veere, 1921

James McBey

A work made of 16mm color film, silent; 1:34 min. loop.

Amazon, 2005

AK Dolven

A work made of linen, plain weave; pulled thread work with silk floss in two-sided italian cross stitch; inside waistband gathered by feather, running, and back filling stitches; edged in silk, warp twining with ground weft fringe, attached by buttonhole and detached buttonhole stitches.

Apron, 17th century

A work made of cotton, plain weave; cut work with needle lace inserts; pulled thread work in double hem and overcast stitches.

Insertion, 1900

Aemilia Ars Workshop

A work made of cotton, plain weave; appliquéd with plain weave; painted; embroidered with cotton, polyester, and metallized-polyester-film-wrapped rayon in machine stitches.

Limits of Reality, 1993

B. J. Adams

A work made of black oil paint, gouache, and touches of gum on ivory wove paper.

Maria Lani, 1928

Georges Rouault

A work made of pen and brush and black ink, over graphite, on cream wove paper, prepared with a greenish-gray wash.

Illegal Trades-No.1 The Bottled Cherry, n.d.

John Northcote Nash

A work made of cover: lacquered leather, manuscript: ink, opaque watercolor, and gold on paper.

Manuscript of Kulliyat (Complete Works) by Sa'di with Lacquered Cover, Safavid Dynasty (1501-1736), 17th century

Islamic

A work made of hanging scroll; ink and color on silk.

Kobo Daishi (Kukai) as a Boy (Chigo Daishi), 15th century

Red/Blue (Untitled), from X + X (Ten Works by Ten Painters)

Red/Blue (Untitled), from X + X (Ten Works by Ten Painters), 1964

Ellsworth Kelly

A work made of red chalk on ivory laid paper.

Temple of Minerva Medica, n.d.

Ferdinando Galli-Bibiena

A work made of silk, plain weave; embroidered with gilt-metal-strip-wrapped silk; embroidered in satin and stem stitches; edged with silk and gilt-metal-strip-wrapped silk, plain weave extended weft uncut fringe.

Chasuble, 1775/1825

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