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A work made of linen, plain weave; pulled thread work with silk floss in two-sided italian cross stitch; inside waistband gathered by feather, running, and back filling stitches; edged in silk, warp twining with ground weft fringe, attached by buttonhole and detached buttonhole stitches.

Apron, 17th century

A work made of watercolor on ivory wove paper, laid down on cream board.

Windmill, Veere, 1921

James McBey

A work made of cotton, plain weave; appliquéd with plain weave; painted; embroidered with cotton, polyester, and metallized-polyester-film-wrapped rayon in machine stitches.

Limits of Reality, 1993

B. J. Adams

A work made of etching on copper in black on off-white laid paper.

Sculptor Working on a Motif with Marie-Thérèse Posing, from the Vollard Suite, March 31, 1933, printed 1939

Pablo Picasso

A work made of acrylic, cotton, and rhoplex on canvas.

Paying Off Old Debts, 1975

Joe Zucker

A work made of black oil paint, gouache, and touches of gum on ivory wove paper.

Maria Lani, 1928

Georges Rouault

A work made of pen and brush and black ink, over graphite, on cream wove paper, prepared with a greenish-gray wash.

Illegal Trades-No.1 The Bottled Cherry, n.d.

John Northcote Nash

Dearborn-Goethe Project, Chicago, Illinois, Working Drawings

Dearborn-Goethe Project, Chicago, Illinois, Working Drawings, 1960-1961

Bertrand Goldberg

A work made of hanging scroll; ink and color on silk.

Kobo Daishi (Kukai) as a Boy (Chigo Daishi), 15th century

A work made of red chalk on ivory laid paper.

Temple of Minerva Medica, n.d.

Ferdinando Galli-Bibiena

A rectangular painting consisting of a gray-brown rectangle set atop a gray-white rectangle. There is the slightest amount of blurring where they meet.

Untitled (Brown and Gray), 1969

Mark Rothko

A work made of silk, plain weave; embroidered with gilt-metal-strip-wrapped silk; embroidered in satin and stem stitches; edged with silk and gilt-metal-strip-wrapped silk, plain weave extended weft uncut fringe.

Chasuble, 1775/1825

A work made of charcoal and black chalk, with stumping (recto); black chalk (verso) on ivory laid paper.

Putti Carrying the Cross (recto); Studies of a Hand (verso), 1672/75

Gian Lorenzo Bernini

A work made of 35 mm color film, stereo sound, transferred to digital video (projection); 3:48 min. loop.

Lasso, 2000

Salla Tykka

A work made of graphite on cream wove paper.

Reclining Female Nude, n.d.

Morris Kantor

A work made of graphite with oil paint (recto), and graphite (verso), on ivory wove paper.

Self-Portrait (recto); Female Nude Reclining (verso), 1913

Egon Schiele

A work made of charcoal, with stumping, erasing, and touches of graphite, on cream laid paper.

On the Avon, n.d.

Frank Mura

An oil painting of a colorful female face on a white background. The woman wears glasses and large, hoop earrings, and is rendered in blue, red, yellow, and purples shades that create a kaleidoscopic effect.

Towards Identity, 1970

Nelson Stevens

A work made of glass.

Covered Compote, c. 1953

Steuben Division, Corning Glass Works

A work made of linen, plain weave; embroidered with silk in cross, rococo, roumanian, satin, stem, and tent stitches.

Sampler, 1791

Lucy Potter

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