Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A photo of dark room shows one large projection on the wall to the left and on the wall to the right two pedestals with two monitors stacked on top of both. Each screen shows a different view of a red-wigged, red-nosed clown in a striped outfit.

Clown Torture, 1987

Bruce Nauman

A work made of cotton, plain weave; appliquéd with plain weave; painted; embroidered with cotton, polyester, and metallized-polyester-film-wrapped rayon in machine stitches.

Limits of Reality, 1993

B. J. Adams

A work made of watercolor on ivory wove paper, laid down on cream board.

Windmill, Veere, 1921

James McBey

A work made of gelatin silver print.

Shenango Ingot Molds, Tremblath #1, from the series "Working People", 1978/79

Milton Rogovin

A work made of acrylic, cotton, and rhoplex on canvas.

Paying Off Old Debts, 1975

Joe Zucker

A work made of glass.

Covered Compote, c. 1953

Steuben Division, Corning Glass Works

A work made of albumen print, plate 39 from the album "photographic views of the sherman campaign" (1866).

Rebel Works in Front of Atlanta, GA, No. 1, 1864

George N. Barnard

An oil painting of a colorful female face on a white background. The woman wears glasses and large, hoop earrings, and is rendered in blue, red, yellow, and purples shades that create a kaleidoscopic effect.

Towards Identity, 1970

Nelson Stevens

A work made of black oil paint, gouache, and touches of gum on ivory wove paper.

Maria Lani, 1928

Georges Rouault

A work made of pen and brush and black ink, over graphite, on cream wove paper, prepared with a greenish-gray wash.

Illegal Trades-No.1 The Bottled Cherry, n.d.

John Northcote Nash

A work made of hanging scroll; ink and color on silk.

Kobo Daishi (Kukai) as a Boy (Chigo Daishi), 15th century

A rectangular painting consisting of a gray-brown rectangle set atop a gray-white rectangle. There is the slightest amount of blurring where they meet.

Untitled (Brown and Gray), 1969

Mark Rothko

A work made of red chalk on ivory laid paper.

Temple of Minerva Medica, n.d.

Ferdinando Galli-Bibiena

A work made of charcoal and black chalk, with stumping (recto); black chalk (verso) on ivory laid paper.

Putti Carrying the Cross (recto); Studies of a Hand (verso), 1672/75

Gian Lorenzo Bernini

A work made of 35 mm color film, stereo sound, transferred to digital video (projection); 3:48 min. loop.

Lasso, 2000

Salla Tykka

A work made of silk, plain weave; embroidered with gilt-metal-strip-wrapped silk; embroidered in satin and stem stitches; edged with silk and gilt-metal-strip-wrapped silk, plain weave extended weft uncut fringe.

Chasuble, 1775/1825

A work made of graphite on cream wove paper.

Reclining Female Nude, n.d.

Morris Kantor

A work made of graphite with oil paint (recto), and graphite (verso), on ivory wove paper.

Self-Portrait (recto); Female Nude Reclining (verso), 1913

Egon Schiele

A work made of charcoal, with stumping, erasing, and touches of graphite, on cream laid paper.

On the Avon, n.d.

Frank Mura

A work made of linen, plain weave; embroidered with silk in cross, rococo, roumanian, satin, stem, and tent stitches.

Sampler, 1791

Lucy Potter

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