Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A photo of dark room shows one large projection on the wall to the left and on the wall to the right two pedestals with two monitors stacked on top of both. Each screen shows a different view of a red-wigged, red-nosed clown in a striped outfit.

Clown Torture, 1987

Bruce Nauman

A work made of oil and pastel on cardboard.

May Milton, 1895

Henri de Toulouse-Lautrec

A work made of colored pencils and wax crayons, with pen and blue ink, brush and gold paint and blue gouache, over graphite, on yellow wove paper, laid down on white card (a modern mount).

Medusa, 1893

Jean Delville

A work made of black crayon on pale gray wove paper.

Sketch of Emma Bellows, n.d.

George Wesley Bellows

A rectangular painting featuring two teal-green blocks of slightly different shades sandwiching a thin strip of blue. The blocks are hazily painted against a green background.

Untitled, 1967

Mark Rothko

A work made of acrylic on chromogenic color print.

20.3.92, 1992

Gerhard Richter

A work made of gelatin silver print.

Broome Street, Numbers 504-506, Manhattan, October 9, 1935

Berenice Abbott

A work made of acrylic on canvas, unframed.

Superficial Concerns, c. 1970

Ray Yoshida

A work made of metalpoint on prepared bluish-white wove paper.

Body of a Woman, 1928

John Bradley Storrs

A work made of watercolor on ivory wove paper, laid down on cream board.

Windmill, Veere, 1921

James McBey

A photograph of a gallery installation. The installation is a dyed canvas draped over two wooden sawhorses. The colorful canvas is almost sculptural, folded and bunched in space on top of the sawhorses.

"A" and the Carpenter I, 1973

Sam Gilliam

A work made of 16mm color film, silent; 1:34 min. loop.

Amazon, 2005

AK Dolven

A work made of cotton, plain weave; cut work with needle lace inserts; pulled thread work in double hem and overcast stitches.

Insertion, 1900

Aemilia Ars Workshop

A work made of linen, plain weave; pulled thread work with silk floss in two-sided italian cross stitch; inside waistband gathered by feather, running, and back filling stitches; edged in silk, warp twining with ground weft fringe, attached by buttonhole and detached buttonhole stitches.

Apron, 17th century

A work made of cover: lacquered leather, manuscript: ink, opaque watercolor, and gold on paper.

Manuscript of Kulliyat (Complete Works) by Sa'di with Lacquered Cover, Safavid Dynasty (1501-1736), 17th century

Islamic

A work made of black oil paint, gouache, and touches of gum on ivory wove paper.

Maria Lani, 1928

Georges Rouault

Red/Blue (Untitled), from X + X (Ten Works by Ten Painters)

Red/Blue (Untitled), from X + X (Ten Works by Ten Painters), 1964

Ellsworth Kelly

A work made of pen and brush and black ink, over graphite, on cream wove paper, prepared with a greenish-gray wash.

Illegal Trades-No.1 The Bottled Cherry, n.d.

John Northcote Nash

A work made of hanging scroll; ink and color on silk.

Kobo Daishi (Kukai) as a Boy (Chigo Daishi), 15th century

A work made of cotton, plain weave; appliquéd with plain weave; painted; embroidered with cotton, polyester, and metallized-polyester-film-wrapped rayon in machine stitches.

Limits of Reality, 1993

B. J. Adams

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