Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A mountainous landscape set against gray skies lies beyond a dirt road or railroad tracks made up of horizontal and parallel black lines.

Til We Meet Again, 1935

Walter Ellison

Harris Theater, Chicago, Illinois, Working Drawings

Harris Theater, Chicago, Illinois, Working Drawings, Jan. 29, 1959

Bertrand Goldberg

A work made of pastel on tan wood-pulp laminate board.

Expulsion from Eden, n.d.

Abel Pann

A work made of graphite and ink on vellum.

Affiliated Hospitals Center, Boston, Massachusetts, Surgical-Obstetrical Combined Unit, Floor Plan and Working Drawing, 1966

Bertrand Goldberg

A work made of oil and pastel on cardboard.

May Milton, 1895

Henri de Toulouse-Lautrec

A work made of gelatin silver print.

2:40 a.m. Going to work, Mathysloop, KwaNdebele, 1984, printed c. 2012

David Goldblatt

A work made of colored pencils and wax crayons, with pen and blue ink, brush and gold paint and blue gouache, over graphite, on yellow wove paper, laid down on white card (a modern mount).

Medusa, 1893

Jean Delville

A photo of dark room shows one large projection on the wall to the left and on the wall to the right two pedestals with two monitors stacked on top of both. Each screen shows a different view of a red-wigged, red-nosed clown in a striped outfit.

Clown Torture, 1987

Bruce Nauman

A work made of black crayon on pale gray wove paper.

Sketch of Emma Bellows, n.d.

George Wesley Bellows

A work made of acrylic on chromogenic color print.

20.3.92, 1992

Gerhard Richter

A rectangular painting featuring two teal-green blocks of slightly different shades sandwiching a thin strip of blue. The blocks are hazily painted against a green background.

Untitled, 1967

Mark Rothko

A work made of acrylic on canvas, unframed.

Superficial Concerns, c. 1970

Ray Yoshida

A work made of gelatin silver print.

Broome Street, Numbers 504-506, Manhattan, October 9, 1935

Berenice Abbott

A work made of metalpoint on prepared bluish-white wove paper.

Body of a Woman, 1928

John Bradley Storrs

A work made of cotton, plain weave; cut work with needle lace inserts; pulled thread work in double hem and overcast stitches.

Insertion, 1900

Aemilia Ars Workshop

A work made of watercolor on ivory wove paper, laid down on cream board.

Windmill, Veere, 1921

James McBey

A work made of 16mm color film, silent; 1:34 min. loop.

Amazon, 2005

AK Dolven

A photograph of a gallery installation. The installation is a dyed canvas draped over two wooden sawhorses. The colorful canvas is almost sculptural, folded and bunched in space on top of the sawhorses.

"A" and the Carpenter I, 1973

Sam Gilliam

A work made of linen, plain weave; pulled thread work with silk floss in two-sided italian cross stitch; inside waistband gathered by feather, running, and back filling stitches; edged in silk, warp twining with ground weft fringe, attached by buttonhole and detached buttonhole stitches.

Apron, 17th century

A work made of cotton, plain weave; appliquéd with plain weave; painted; embroidered with cotton, polyester, and metallized-polyester-film-wrapped rayon in machine stitches.

Limits of Reality, 1993

B. J. Adams

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