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A work made of brush and watercolor, over traces of graphite, on ivory wove paper.

Two Women in Yellow Kerchiefs, n.d.

Constantin Guys

A work made of graphite and ink on vellum.

Affiliated Hospitals Center, Boston, Massachusetts, Surgical-Obstetrical Labor Room, Floor Plan and Working Drawing, 1966

Bertrand Goldberg

A work made of blackline on mylar.

The Statesman - 21 Story Apartment Building: Architectural Working Drawings, A1-A14, c. 1961

Milton M. Schwartz and Associates

A work made of pastel on tan wove paper, laid down on canvas and wrapped around a strainer.

Melting Snow, 1887

Frits Thaulow

A work made of floral design with small animals, swastika, lanterns embroidered on gauze..

Fragment (Sleeve Band), Qing dynasty (1644–1911), 1875–1900

Han-Chinese

A work made of oil and oil crayon on cardboard.

Gea, 1944–45

Barnett Newman

A work made of graphite, with black conté crayon and watercolor, on cream wove paper.

Sleeping Woman, 1955

Balthus

A work made of super 16mm film transferred to high definition digital video; 9:41 continuous loop.

Always After (The Glass House), 2006

Iñigo Manglano-Ovalle

A work made of platinum print, pl. xxv from the album "life and landscape on the norfolk broads" (1886).

A Reed-Cutter at Work, 1886

Peter Henry Emerson

A work made of pen and brown ink with brush and brown and gray wash on ivory laid paper.

A Romantic Landscape with a Ruined Castle, 1778–87

Robert Adam

A work made of cotton, plain weave; cut work with needle lace inserts; pulled thread work in double hem and overcast stitches.

Insertion, 1900

Aemilia Ars Workshop

A work made of acrylic on canvas.

Sweet Oblivion, 1983

Martin Wong

A work made of wool (camelid), plain weave of discontinuous warps and wefts; embroidered in double running stitches; edged with cross-knit loop stitches.

Fragment, A.D. 200/900

Nasca

A work made of black chalk, with stumping and white heightening (recto), charcoal with white heightening (verso), on buff laid paper.

Standing Male Nude (recto); Classical Head (verso), n.d.

Paul Émile Detouche

A work made of bronze.

Abraham Lincoln, Modeled 1912, cast after 1912

Daniel Chester French

A work made of cotton, plain weave; embroidered with silk in back, cross, and padded cross stitches.

Sampler, 1801/75

A work made of colored inks, with touches of silver metallic paint, on fabric.

Abstraction, 1970

Sam Gilliam

A work made of color screenprint on white wove paper.

Patina, plate five from Homage to the Square: Ten Works by Josef Albers, 1962

Josef Albers

Portrait of a blonde, blue-eyed white woman with her hair up, sitting in an unspecified room. She wears a sheer, light blue dress with fur trim.

Portrait of Mrs. James Ward Thorne, 1915

Virginia Keep Clark

A work made of silk, warp-float faced satin weave; embroidered with silk, gilt-metal strips, gilt-metal-strip-wrapped silk, and metal purl and spangles in long-armed cross, padded satin, satin, single satin, split, and stem stitches; couching and embroidered cut pile; embellished with mica and glass beads.

Picture Depicting Peace, Justice, and Plenty (Needlework), 17th century

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