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A work made of floral design with small animals, swastika, lanterns embroidered on gauze..

Fragment (Sleeve Band), Qing dynasty (1644–1911), 1875–1900

Han-Chinese

A work made of brush and watercolor, over traces of graphite, on ivory wove paper.

Two Women in Yellow Kerchiefs, n.d.

Constantin Guys

A work made of pastel on tan wove paper, laid down on canvas and wrapped around a strainer.

Melting Snow, 1887

Frits Thaulow

A work made of super 16mm film transferred to high definition digital video; 9:41 continuous loop.

Always After (The Glass House), 2006

Iñigo Manglano-Ovalle

A work made of oil and oil crayon on cardboard.

Gea, 1944–45

Barnett Newman

A work made of graphite, with black conté crayon and watercolor, on cream wove paper.

Sleeping Woman, 1955

Balthus

A work made of acrylic on canvas.

Sweet Oblivion, 1983

Martin Wong

A work made of pen and brown ink with brush and brown and gray wash on ivory laid paper.

A Romantic Landscape with a Ruined Castle, 1778–87

Robert Adam

A work made of wool (camelid), plain weave of discontinuous warps and wefts; embroidered in double running stitches; edged with cross-knit loop stitches.

Fragment, A.D. 200/900

Nasca

A work made of cotton, plain weave; embroidered with silk in back, cross, and padded cross stitches.

Sampler, 1801/75

A work made of black chalk, with stumping and white heightening (recto), charcoal with white heightening (verso), on buff laid paper.

Standing Male Nude (recto); Classical Head (verso), n.d.

Paul Émile Detouche

A work made of colored inks, with touches of silver metallic paint, on fabric.

Abstraction, 1970

Sam Gilliam

A work made of bronze.

Abraham Lincoln, Modeled 1912, cast after 1912

Daniel Chester French

A work made of lithograph in black on white wove paper.

Emperor Nicolas working in his cabinet, plate 94 from Actualités, 1850

Honoré-Victorin Daumier

A work made of graphite and ink on vellum.

Affiliated Hospitals Center, Boston, Massachusetts, Surgical-Obstetrical Labor Room, Floor Plan and Working Drawing, 1966

Bertrand Goldberg

A work made of blackline on mylar.

The Statesman - 21 Story Apartment Building: Architectural Working Drawings, A1-A14, c. 1961

Milton M. Schwartz and Associates

A work made of silk, warp-float faced satin weave; embroidered with silk, gilt-metal strips, gilt-metal-strip-wrapped silk, and metal purl and spangles in long-armed cross, padded satin, satin, single satin, split, and stem stitches; couching and embroidered cut pile; embellished with mica and glass beads.

Picture Depicting Peace, Justice, and Plenty (Needlework), 17th century

Portrait of a blonde, blue-eyed white woman with her hair up, sitting in an unspecified room. She wears a sheer, light blue dress with fur trim.

Portrait of Mrs. James Ward Thorne, 1915

Virginia Keep Clark

A work made of cotton, plain weave; cut work with needle lace inserts; pulled thread work in double hem and overcast stitches.

Insertion, 1900

Aemilia Ars Workshop

Seven square panels of gray patterned lines on cream paper, wach with five rows and seven columns of neat marks.

Seven Panels and Index, 1973

Hanne Darboven

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