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A work made of brush and black ink, and watercolor, with scraping, on cream wove paper, laid down on ivory wove paper and edge mounted on card.

The Valley of the Eisak Near Brixen in the Tyrol, 1783/84

John Robert Cozens

A work made of mezzotint.

Division—Work #21, 1990

Hamanishi Katsunori

A work made of watercolor with graphite on ivory wove paper.

Eggplant and Plums, 1921/33

Charles Demuth

A work made of crayon with graphite and scraping on off-white wove paper.

Carnival, 1943

Arshile Gorky

A work made of various graphite pencils, with erasing and stumping, on cream laid paper.

Male Nude, January 29, 1880

Gustav Klimt

A work made of collage composed of cut and pasted paper elements, with graphite, gouache and yellow pencil, on incised tan wove paper, adhered to a wood panel.

Mica Magritte, 1963

Joseph Cornell

Two girls in acrobatic uniforms stand in an arena, one holds oranges.

Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg), 1879

Pierre-Auguste Renoir

A work made of black crayon and white chalk on brown laid paper (partially discolored to tan).

Standing Female Nude, 1882/93

Arthur B. Davies

A work made of linen, lacis construction.

Morpheus (God of Dreaming), 1979

Luba Krejci

Very tall sculpture of braided, knotted, and twisted strands of hemp fabric arranged to make a cylindrical shape, with loose ends that pool out at the base.

Private Affair I, 1986

Claire Zeisler

A work made of linen, plain weave; embroidered with silk yarns and gilt-metal-strip-wrapped silk in algerian eye, back, buttonhole, open buttonhole filling, chain, double running, overcast, plaited braid, and square open work stitches; laid work, couching and woven wheels; spangles.

Cushion Cover (Made from a Woman's Dress), late 16th century

A work made of watercolor with touches of blotting, and with graphite and black colored pencil, on lightweight (estimated), slightly textured, ivory wove paper (top, left and right edges trimmed), laid down on artists’ board faced with ivory wove paper, in original frame.

Cape Split, Maine, 1941

John Marin

A work made of lithographic crayon, with scraping and smudging, on cream wove paper.

Breadwinner (War), 1942

John Wilson

A work made of oil on newspaper on wood.

Untitled, 1957

Shôzô Shimamoto

A work made of lacquered wood, gilt metal, ivory, and silk.

Work Box, Early to mid 19th century

A work made of pastel over monotype on buff wove paper, laid down on tan card.

Café-Concert (The Spectators), 1876/77

Hilaire Germain Edgar Degas

A work made of wooden box; covered with linen, plain weave; beaded with silk, linen, and glass beads; embroidered with silk and gilt-metal-strip-wrapped silk laid work and couching; silver hardware.

Box (Casket), 17th century

A work made of pen and black ink, over graphite, on ivory laid paper.

Coitus, 1931

Salvador Dalí

A work made of watercolor with touches of gouache, over graphite, on ivory wove paper.

Interior, 1925

Edward Hopper

A work made of cotton, plain weave; block printed.

Severn, Design 1887–90; made 1887–1917

John Henry Dearle

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