Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Painting in tones of gray and brown, with some green and blue, of a woman digging with a garden tool before a structure with a thatched roof that descends almost to the ground. Above her the sky is gray and blue, a haze of clouds.

A Peasant Woman Digging in Front of Her Cottage, c. 1885

Vincent van Gogh

A work made of silk, warp-float faced 4:1 satin weave; embroidered with silk in satin, single satin, and stem stitches; laid work and couching, and chinese knots; painted with gold; lined with red silk (chirimen), crepe; dyed with beni, safflower.

Uchikake (Over Kimono), late Edo (1789–1868)/Meiji period (1868–1912), 19th century

The End is the Beginning

The End is the Beginning, 1955

Joseph Cornell

A work made of linen, plain weave; embroidered with wool in tent stitches.

Chair Seat and Back, 19th century

A work made of platinum print, pl. xix from the album "life and landscape on the norfolk broads" (1886).

Gunner Working Up to Fowl, 1886

Peter Henry Emerson

A work made of drypoint on ivory laid paper.

Coal—Abomination of Work, Mahanoy River, 1908

Joseph Pennell

A work made of four 16mm color films, silent, transferred to digital video (projection); 42 min. 30 sec. loop.

Art Make-Up, 1967/68

Bruce Nauman

A work made of acrylic on canvas.

Daft, 1991

Jim Nutt

A work made of graphite on cream board.

Butterfly, c. 1890

James McNeill Whistler

A work made of gelatin silver print.

First Work in America, Italian Immigrant Carries Garments To The Tenement Home, 1910

Lewis Wickes Hine

A work made of 1,215 slides, fifteen slide projectors, fifteen lenses, and eight dissolve units; continous loop.

Questions, 1981/2003

Fischli & Weiss

A work made of silk, warp-float faced broken warp chevron twill weave with supplementary pile warps forming cut solid velvet; appliquéd with linen, plain weave, silk and gilt and silvered wire, plain weave with twill interlacing of secondary binding warps and patterning wefts; silk and silvered wire, twill weave; embroidered with silk, gilt- and silvered-metal-strip-wrapped silk and gilt and silvered wire in overcast, satin, padded satin, split, and stem stitches; laid work, couching, and padded couching; semi-precious stones; edged with woven fringes.

Altar Frontal Depicting Scenes from the Life of Christ, Late 16th century

A work made of cotton, plain weave; block printed.

Severn, Design 1887–90; made 1887–1917

John Henry Dearle

A work made of oil on canvas.

Rehearsal of the Pasdeloup Orchestra at the Cirque d'Hiver, c. 1879

John Singer Sargent

A work made of manuscript cutting in tempera and gold leaf, with gothica textualis inscriptions in black, ruled in red, on parchment.

The Stoning of Saint Stephen in a Historiated Initial "A" or "C" from a Gradual, c. 1500

Master of Jacques de Besançon

A work made of manuscript cutting in tempera and gold leaf, and letter bâtarde inscriptions in brownish-black ink, unruled, with decorated initial, on parchment.

The Last Judgment from Les Sept Articles de la Foi by Jean Chappuis, c. 1470

Egregius Pictor Franciscus

A work made of gouache over traces of graphite on cream wove paper.

The Tune and Also the Words, 1964

René Magritte

A work made of acrylic, silkscreen ink, and pencil on linen.

Self-Portrait, 1966

Andy Warhol

A work made of blueprint on paper.

The Statesman - 21 Story Apartment Building: Structural Working Drawings, S1-S14, c. 1961

Milton M. Schwartz and Associates

A work made of sixteen-channel black-and-white video, sound (sixteen cathode ray tubes); 5-to-30 second loops, 16 x 54 x 66 in. (40.6 x 137.2 x 167.6 cm), niche recessed into wall.

Inasmuch As It Is Always Already Taking Place, 1990

Gary Hill

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