Curator

  • Art Institute Chicago
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  • My Exhibition
Painting of a beach on a cloudy day with several sailboats on the water, a few rowboats on the shore, and two groupings of people on the sand.

The Beach at Sainte-Adresse, 1867

Claude Monet

A work made of silk, warp-float faced 4:1 satin weave; embroidered with silk in satin, single satin, and stem stitches; laid work and couching, and chinese knots; painted with gold; lined with red silk (chirimen), crepe; dyed with beni, safflower.

Uchikake (Over Kimono), late Edo (1789–1868)/Meiji period (1868–1912), 19th century

A work made of linen, plain weave; embroidered with wool in tent stitches.

Chair Seat and Back, 19th century

Painting in tones of gray and brown, with some green and blue, of a woman digging with a garden tool before a structure with a thatched roof that descends almost to the ground. Above her the sky is gray and blue, a haze of clouds.

A Peasant Woman Digging in Front of Her Cottage, c. 1885

Vincent van Gogh

A work made of gelatin silver print.

Shenango Ingot Molds, Tremblath #1, from the series "Working People", 1978/79

Milton Rogovin

A work made of oil on newspaper on wood.

Untitled, 1957

Shôzô Shimamoto

A work made of acrylic on canvas.

Daft, 1991

Jim Nutt

A work made of albumen print, plate 39 from the album "photographic views of the sherman campaign" (1866).

Rebel Works in Front of Atlanta, GA, No. 1, 1864

George N. Barnard

A work made of four 16mm color films, silent, transferred to digital video (projection); 42 min. 30 sec. loop.

Art Make-Up, 1967/68

Bruce Nauman

A work made of graphite on cream board.

Butterfly, c. 1890

James McNeill Whistler

A work made of silk, warp-float faced broken warp chevron twill weave with supplementary pile warps forming cut solid velvet; appliquéd with linen, plain weave, silk and gilt and silvered wire, plain weave with twill interlacing of secondary binding warps and patterning wefts; silk and silvered wire, twill weave; embroidered with silk, gilt- and silvered-metal-strip-wrapped silk and gilt and silvered wire in overcast, satin, padded satin, split, and stem stitches; laid work, couching, and padded couching; semi-precious stones; edged with woven fringes.

Altar Frontal Depicting Scenes from the Life of Christ, Late 16th century

A work made of 1,215 slides, fifteen slide projectors, fifteen lenses, and eight dissolve units; continous loop.

Questions, 1981/2003

Fischli & Weiss

A work made of manuscript cutting in tempera and gold leaf, with gothica textualis inscriptions in black, ruled in red, on parchment.

The Stoning of Saint Stephen in a Historiated Initial "A" or "C" from a Gradual, c. 1500

Master of Jacques de Besançon

A work made of oil on canvas.

Rehearsal of the Pasdeloup Orchestra at the Cirque d'Hiver, c. 1879

John Singer Sargent

A work made of manuscript cutting in tempera and gold leaf, and letter bâtarde inscriptions in brownish-black ink, unruled, with decorated initial, on parchment.

The Last Judgment from Les Sept Articles de la Foi by Jean Chappuis, c. 1470

Egregius Pictor Franciscus

A work made of acrylic, silkscreen ink, and pencil on linen.

Self-Portrait, 1966

Andy Warhol

Dearborn-Goethe Project, Chicago, Illinois, Working Drawings

Dearborn-Goethe Project, Chicago, Illinois, Working Drawings, 1960-1961

Bertrand Goldberg

A work made of etching on copper in black on off-white laid paper.

Sculptor Working on a Motif with Marie-Thérèse Posing, from the Vollard Suite, March 31, 1933, printed 1939

Pablo Picasso

A work made of sixteen-channel black-and-white video, sound (sixteen cathode ray tubes); 5-to-30 second loops, 16 x 54 x 66 in. (40.6 x 137.2 x 167.6 cm), niche recessed into wall.

Inasmuch As It Is Always Already Taking Place, 1990

Gary Hill

A work made of eleven–channel digital video, sound (projected on plasma screens with mirrors); 6:30 min. loop edition number one of four.

the moment, 2005

Doug Aitken

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