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A work made of graphite, on cream wove paper, perimeter mounted on ivory laid paper.

Lower Part of a Figure in Working Clothes, 1818/19

Jean Louis André Théodore Géricault

A work made of gelatin silver print.

Blossom Restaurant, 103 Bowery, Manhattan, October 24, 1935

Berenice Abbott

A work made of pastel on cream tracing paper.

Cakes No. 1, 1967

Wayne Thiebaud

A work made of acrylic on chromogenic color print.

17.3.92, 1992

Gerhard Richter

Drawing of a doll in a dress with a decorative belt, her hair pulled up with a distinctive topknot-like hat on her head.

Third Doll, 1960

Ellen Lanyon

A work made of pen and black ink, and brush and gray wash, with graphite, on ivory wove paper, laid down on ivory laid paper.

The Dressing Room of the Extras of the Comedie Francaise, n.d.

Philibert Louis Debucourt

A work made of watercolor with crayon and glue layered on wove paper, laid down on board, in artist's frame.

Nude Woman, Full Body, 1937

Ivan Albright

A work made of ink and correction tape over graphite on graph paper.

Working Drawing for Living Rooms, SouthEast-one, 2002–03

Julia Fish

A work made of spray paint and acrylic on board.

Queer Basher/Icarus Falling, 1986

David Wojnarowicz

The End is the Beginning

The End is the Beginning, 1955

Joseph Cornell

A work made of linen, plain weave; embroidered with wool in tent stitches.

Chair Seat and Back, 19th century

A work made of mezzotint.

Division—Work #21, 1990

Hamanishi Katsunori

A work made of silk, warp-float faced 4:1 satin weave; embroidered with silk in satin, single satin, and stem stitches; laid work and couching, and chinese knots; painted with gold; lined with red silk (chirimen), crepe; dyed with beni, safflower.

Uchikake (Over Kimono), late Edo (1789–1868)/Meiji period (1868–1912), 19th century

Painting of a woman and an older white man holding a pitchfork, both seen from the waist up. They stand side by side with stern expressions, in front of a white house with a peaked roof.

American Gothic, 1930

Grant Wood

Painting of a beach on a cloudy day with several sailboats on the water, a few rowboats on the shore, and two groupings of people on the sand.

The Beach at Sainte-Adresse, 1867

Claude Monet

Painting in tones of gray and brown, with some green and blue, of a woman digging with a garden tool before a structure with a thatched roof that descends almost to the ground. Above her the sky is gray and blue, a haze of clouds.

A Peasant Woman Digging in Front of Her Cottage, c. 1885

Vincent van Gogh

A work made of acrylic on canvas.

Daft, 1991

Jim Nutt

A work made of four 16mm color films, silent, transferred to digital video (projection); 42 min. 30 sec. loop.

Art Make-Up, 1967/68

Bruce Nauman

A work made of silk, warp-float faced broken warp chevron twill weave with supplementary pile warps forming cut solid velvet; appliquéd with linen, plain weave, silk and gilt and silvered wire, plain weave with twill interlacing of secondary binding warps and patterning wefts; silk and silvered wire, twill weave; embroidered with silk, gilt- and silvered-metal-strip-wrapped silk and gilt and silvered wire in overcast, satin, padded satin, split, and stem stitches; laid work, couching, and padded couching; semi-precious stones; edged with woven fringes.

Altar Frontal Depicting Scenes from the Life of Christ, Late 16th century

A work made of manuscript cutting in tempera and gold leaf, with gothica textualis inscriptions in black, ruled in red, on parchment.

The Stoning of Saint Stephen in a Historiated Initial "A" or "C" from a Gradual, c. 1500

Master of Jacques de Besançon

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