Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of color woodblock print.

Modan Viewpoint, Pyongyang, Korea, from the series "Korean Views Supplement" (Zoku Chosen fukei, Chosen Heijo Botandai), 1940

Kawase Hasui

A work made of color woodblock print; oban.

Distant View of Azuma Bridge and Kinryuzan Temple (Azumabashi Kinryuzan enbo), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1857

Utagawa Hiroshige

A work made of color woodblock print; ogi-e.

Flower-viewing Party from the Pleasure Quarters (Seiro hanami ryaku zu), mid–1830s

Utagawa Hiroshige

A work made of color woodblock print; oban.

View of the Lotus Pond at Shinobugaoka (Shinobugaoka hasuike no zu), from the series "Famous Views of the Eastern Capital (Toto Meisho)", c. 1831

Utagawa Hiroshige

A work made of woodblock prints; 2 right sheets of oban triptych, keyblock and color impressions.

Viewing Cherry Blossoms from a Teahouse on Asuka Hill, c. 1789/90

Chôbunsai Eishi

A work made of woodcut in black on off-white wove paper.

Lincoln Park Zoo, from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

A work made of lithograph in black on white wove paper.

View of the Seine near Asnières during the dog days, plate 2 from Croquis D'été, 1854

Honoré-Victorin Daumier

A work made of color woodblock print.

Banyu River, from the series "Selection of Views of the Tokaido" (Tokaido fukei senshu, Banyugawai), January 1931

Kawase Hasui

A work made of color woodblock print.

Kites of Fukuroi and Distant View of Akiba in Totomi Province (Enshu Akiba enkei Fukuroi tako), from the series "One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)", 1859

Utagawa Hiroshige II (Shigenobu)

A work made of book with letterpress in black on cream wove paper.

Views in Egypt (text), 1801

Luigi Mayer

A work made of aquatint with etching in brown on cream laid paper.

Cardiff Castle from the West, plate two from Twelve Views in Wales, 1777

Paul Sandby

A work made of albumen print, plate 29 from the album "photographic views of the sherman campaign" (1866).

The Allatoona Pass, GA, 1866

George N. Barnard

A work made of albumen print, plate 33 from the album "photographic views of the sherman campaign" (1866).

South Bank of the Chattahoochie, Ga., 1866

George N. Barnard

A work made of woodcut in black on off-white wove paper.

The Farm in the Zoo, from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

A work made of color woodblock print; oban.

View of Nihonbashi Tori-itchome (Nihonbashi Tori-itchome ryakuzu), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1858

Utagawa Hiroshige

A work made of color woodblock print; center sheet of oban triptych.

Cherry Blossom Viewing at Asuka Hill, c. 1787

Torii Kiyonaga

A work made of woodcut in black on off-white wove paper.

Navy Pier, from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

A work made of brush and gray wash, over graphite, on cream laid paper, squared in graphite for transfer.

View of the Park at Versailles: Ruined Columns and an Open Iron Gate, n.d.

Pierre Antoine Mongin

A work made of aquatint with etching on ivory laid paper.

Manerbawr Castle from the Inward Court, plate nine from Twelve Views in South Wales, 1775

Paul Sandby

A work made of pen and brown ink, with brush and brown wash, over traces of black chalk, on ivory laid paper, partially laid down on gray wove paper.

View of Town Beside River, n.d.

Marco Ricci

<<<46474849 >>>