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A work made of color woodblock print.

Kintai Bridge at Iwakuni, Suo (Boshu) Province from the series “One Hundred Famous Views of the Various Provinces”, 1859

Utagawa Hiroshige II (Shigenobu)

A work made of color woodblock print; oban.

Bamboo Grove at Kume Village (Kumemura no chikuri), from the series “Eight Views of Ryukyu Islands (Ryukyu hakkei)”, 1832

Katsushika Hokusai

A work made of color woodblock print; ōban.

Surugacho, from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1856

Utagawa Hiroshige

A work made of hand-colored lithograph on paper.

The Guildhall, plate 25 from Original Views of London as It Is, 1842

Thomas Shotter Boys

A work made of color woodblock print; oban.

Irises at Horikiri (Horikiri no hanashobu), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1857

Utagawa Hiroshige

A work made of aquatint with etching and hand-coloring on cream wove paper.

Spirit Creek; Near Augusta, Georgia, plate two of the second number of Picturesque Views of American Scenery, 1819/21

John Hill

A work made of etching on heavy ivory laid paper.

View of Two Churches, One Called 1. S. Maria di Loreto, the other 2. The Name of Mary, near 3. Trajan's Column. 4. The ascent to the Quirinal, from Views of Rome, 1762

Giovanni Battista Piranesi

A work made of color woodblock print; oban.

Suijin Shrine and Massaki on the Sumida River (Sumidagawa Suijin no mori Massaki), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1856

Utagawa Hiroshige

A work made of color woodblock print; oban.

Evening Glow at Jungai (Jungai sekisho), from the series "Eight Views of the Ryukyu Islands (Ryukyu hakkei)", c. 1832

Katsushika Hokusai

A work made of color woodblock print.

Tokaido, Nissaka, from the series "Selection of Views of the Tokaido" (Tokaido fukei senshu, Tokaido Nissaka), 1942

Kawase Hasui

A work made of color woodblock print; oban.

Night Rain at Karasaki (Karasaki no yau), from the series "Eight Views of Omi (Omi hakkei no uchi)", c. 1834

Utagawa Hiroshige

A work made of color woodblock print; oban.

Futami Bay in Ise Province (Ise Futamigaura), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)", 1858

Utagawa Hiroshige

A work made of color woodblock print; oban.

View of Shiba Bay (Shibaura no fukei), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1856

Utagawa Hiroshige

A work made of color woodblock print; horizontal koban.

Snow at Dusk at Hira (Hira no bosetsu), from the series Eight Views of Omi in Etching Style (Doban Omi hakkei), 1804/16

Katsushika Hokusai

A work made of color woodblock print; oban.

Distant View of Akasaka Reservoir from Kinokuni Slope (Kinokunizaka Akasaka Tameike enkei), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1857

Utagawa Hiroshige

A work made of color woodblock print.

Kiyomizu Hall, Ueno, from the series "Twenty Views of Tokyo" (Tokyo nijukei, Ueno Kiyomizudo), 1928

Kawase Hasui

A work made of color woodblock print; oban.

Returning Sails at Yabase (Yabase no kihan), from the series "Eight Views of Omi (Omi hakkei no uchi)", c. 1834

Utagawa Hiroshige

A work made of brush and gray wash, over graphite, on cream laid paper, squared in graphite for transfer.

View of the Park at Versailles: Arch of Ladders with Plants; Statuary, n.d.

Pierre Antoine Mongin

A work made of carbon transfer, blue fountain pen, blue and purple ballpoint pen, pastel, and colored pencil on cream wove paper.

Tower and Mountain Range View of Jehoe Provience in Central China, 1965

Joseph Yoakum

A work made of hand-colored lithograph on paper.

The Club Houses and Pall Mall, plate thirteen from Original Views of London as It Is, 1842

Thomas Shotter Boys

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