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A work made of color woodblock print; horizontal koban.

Night Rain at Karasaki (Karasaki no yoru no ame), from the series Eight Views of Omi in Etching Style (Doban Omi hakkei), 1804/16

Katsushika Hokusai

A work made of albumen print, pl. 34 from the album "egypt and palestine, volume ii" (1858/60).

View on the Island of Philæ, 1857

Francis Frith

A work made of woodblock print; oban, keyblock proof impression.

Hilltop View from Yushima Tenjin Shrine (Yushima Tenjin sakaue tenbo), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1856

Utagawa Hiroshige

A work made of woodcut in black on off-white wove paper.

If Benches Could Talk!, from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

A work made of pencil on yellow tracing paper.

Chadwick Schools Gymnasium Group, Rolling Hills, CA: Aerial Perspective View, 1949

Harwell Hamilton Harris

A work made of pencil, pen and gouache on paper, collaged gelatin silver print.

Proposal for Chicago Warehouse (North American Cold Storage as viewed from Lake and Wacker Streets), 1977

Richard John Haas

A work made of color woodblock print; horizontal koban.

Returning Sails at Yabase (Yabase no kiban), from the series Eight Views of Omi in Etching Style (Doban Omi hakkei), 1804/16

Katsushika Hokusai

A work made of color woodblock print; oban.

Evening Glow at Seta Bridge (Seta no sekisho), from the series "Eight Views of Omi (Omi hakkei no uchi)", c. 1834

Utagawa Hiroshige

A work made of albumen print, from "photographs of views of rome" (c. 1857).

Untitled (Trajan's Column), c. 1857

Robert MacPherson

A work made of lithograph in black on white wove paper.

Main Staircase of the Palace of Justice. Front view, plate 36 from Les Gens De Justice, 1848

Honoré-Victorin Daumier

A work made of color woodblock print; oban.

Bamboo Grove at Kume Village (Kumemura no chikuri), from the series “Eight Views of Ryukyu Islands (Ryukyu hakkei)”, c. 1832

Katsushika Hokusai

A work made of color woodblock print.

Night Rain at Mii Temple, from the series "Eight Views of Ohmi", 1917

Ito Shinsui

A work made of brush and gray wash, with graphite, on cream laid paper, squared in graphite for transfer.

View of the Park at Versailles: Stairway and Two Poplars, n.d.

Pierre Antoine Mongin

A work made of albumen print, from the album "geographical & geological explorations & surveys west of the 100th meridian," vol. 1.

View on Apache Lake, Sierra Blanca Range, Arizona, Two Apache Scouts in the Foreground, 1873

Timothy O'Sullivan

A work made of color woodblock print; oban.

Snow at Tsukishima (Tsukushima no yuki), from the series "Twenty Views of Tokyo (Tokyo nijukkei)", 1930

Kawase Hasui

A work made of pen and brown ink, with black chalk, on ivory wove paper, laid down on board.

Town View, n.d.

Imitator of Théophile de Bock

A work made of pen and black ink and brush and gray wash, heightened with touches of white chalk, on cream wove card.

City View, n.d.

A work made of etching in black on cream laid paper.

Thames View, n.d.

Robert C. Goff

A work made of gelatin silver print.

Chestoa View, March 1980, printed July 1980

Michael Johnson

Side View

Side View, 1991

William Wegman

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